Scenes Quotes

It's difficult for me to say, but I don't think the sex scenes are particularly erotic.

There are certain things that they say you can't do, there are all these secret people behind the scenes who make things available for you to do. That's why you have so much crime and violence.

The so-called commercialism includes elements like story, plots, rhythms and large big scenes.

I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.

There are three rape scenes that I've had to act in, and none of them have gotten to film. I don't think it's something that should be promoted in any way.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

It comes down to something really simple: Can I visualize myself playing those scenes? If that happens, then I know that I will probably end up doing it.

With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.

I don't find intimate scenes more difficult than other scenes.

Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.

It's hard to leave behind scenes and characters I am in love with.

Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.

Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.

As for the herbal cigarettes, for the most part I don't smoke as much as the guys do. I'm usually just strutting around a bit more so I don't actually have to be inhaling it. I'm lucky because I do have scenes where the cigarettes work beautifully to punctuate certain things I'm saying.

Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.

I couldn't care less about who sees my bits... My friends asked how I could do scenes like that and not get excited, but it wasn't like that. My bits looked the size of a cashew nut!

I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.

I have been accused of making people laugh, maybe when it's not appropriate, during scenes.

I don't even like watching sex scenes in movies. I have a slight prudish side to me.

A lot of the motivation for doing the 'Make 'Em Laugh' on SNL was because I had just finished shooting 'Inception,' where there were zero-gravity scenes and I got into really good shape and was training and did all these stunts. Coming off of that, that instilled me with the confidence to do 'Make 'Em Laugh.'

Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.

There were scenes that just for length purposes, and knowing that the attention span of kids is not great, don't make it much longer than about 90 minutes.

A lot of action movies today seem to have scenes that just lead up to the action.

I remember laughing an inordinate amount of time. Setting up scenes that involve ooze coming out basements, or pigs' heads flying through windows is really fun. How could you not laugh?

Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes.

I have never been over fond of scenes anywhere.

I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.

I'm involved in some action scenes, so they'll train me for that. I'll be working with my acting coach to prepare for my character.

I'm not looking to... I'd like to build my company and make a bigger company always, but I think in the behind the scenes arena is where I'd prefer to spend my time.

It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off.