Scenes Quotes

During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.

I'd say without a doubt I've had the most sex scenes in any television show, ever. Last season I did eight sex scenes in one day - I haven't topped that yet.

Well first of all, it's hard to shoot a movie and break for a long time and then come back and do, in a sense, one of the biggest scenes that each character had.

When I direct and have to look at filmed scenes of myself, I suck.

Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.

Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.

I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.

Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on.

There were so many great music and political scenes going on in the late '60s in Cambridge. The ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind.

After doing the first couple scenes and I got used to being in front of a few people it got easier and easier. In Chasing Amy, I wasn't nervous at all. And in Dogma, the same.

And in the middle of one of those scenes, I suddenly felt my heart just open: it was overwhelming, to the point where I got teary-eyed. Never would I have thought anything like that could happen in a love scene.

The scenes on this field would have cured anybody of war.

I use to watch like maybe three or four movies, five days out of the week. I was a movie buff, but I really didn't know what it was like behind the scenes, or the whole political process of it.

It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.

I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!

I wasn't sure how my dad would react. There was an agent sitting behind them and he told me he was embarrassed to watch the scenes. My parents have always been very open. They trust my decisions.

Even if I don't have a job, I work on plays and scenes.

Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.

Personally I'm very happy to be behind the scenes. I like collaboration, I like working with directors.

Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.

I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.

For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.

In the happy scenes there were really fun times. Sean would say really funny stuff because he likes to improv. I would want to laugh, but you are not allowed to do that during the take.

I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.

So we had psychiatrists and counselors and therapists around the set regularly, especially for those scenes in which Jason would be dealing with a patient to make sure we were doing it all appropriately.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying.

I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.