Scenes Quotes

I think the first thing I did was several scenes from Romeo and Juliet.

And in the middle of one of those scenes, I suddenly felt my heart just open: it was overwhelming, to the point where I got teary-eyed. Never would I have thought anything like that could happen in a love scene.

I use to watch like maybe three or four movies, five days out of the week. I was a movie buff, but I really didn't know what it was like behind the scenes, or the whole political process of it.

It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.

I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!

I wasn't sure how my dad would react. There was an agent sitting behind them and he told me he was embarrassed to watch the scenes. My parents have always been very open. They trust my decisions.

Even if I don't have a job, I work on plays and scenes.

Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.

Personally I'm very happy to be behind the scenes. I like collaboration, I like working with directors.

Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

I haven't seen the film yet because I just got in from London. In the scenes where the two characters are bantering with each other, it is like bobbing at the net in tennis.

We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.

I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.

The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.

So we had psychiatrists and counselors and therapists around the set regularly, especially for those scenes in which Jason would be dealing with a patient to make sure we were doing it all appropriately.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

When I direct and have to look at filmed scenes of myself, I suck.

The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying.

But I think our humour is exactly the same today. Only, we've made rules now. We've said we are not going to do prosthetic make-up scenes, because when they take it off half your face comes off.

I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be viewed and heard on a national or global scale.

We began to do little things, have little scenes where we just talked about things that had nothing to do with the plot. In fact, in the beginning, they didn't want us to do that. But as time went on, you see that in so many shows. I think we were the first to do that.

I tried to make every bit of it as creepy as I could. And I had the same response you do. I feel the same way. The hospital scenes, that procedure was so real.

I liked a lot of the scenes I did with Ryan Phillippe.

The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.

I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.

They didn't have the money to keep Christopher Lee long enough to play his scenes with me.

Filming scenes like that are always odd but I feel comfortable with Josh and care about him a great deal, so it could be much worse. Scenes like that are just part of the job.

For a director, the most challenging scenes are the dialogue scenes.

No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I've done, even the way scenes are shot in 'Kinsey and 'Gods and Monsters.'