Scenes Quotes

I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.

The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.

I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.

I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.

I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.

I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.

I'll fly Away took place in the 50's and 60's in America's South, and there are a couple of scenes where me and my friends are supposed to be skinny dipping with these girls.

If you're a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it's kind of exciting.

I only have three scenes and each is a turn and she gets progressively drunker. It's all terribly funny and its main challenge is that it's so far away from what I usually do.

TV is so different from the movies. It takes a lot of stamina because you work such long hours. It is really challenging. You are learning the next day's lines while you are shooting today's scenes. I found courage I never realised I had. I hope to do more.

So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.

Action scenes get me so excited, and my adrenaline starts pumping.

No manager in the world gets good results all the time and you know there's people always ready to have a snipe. In fact I'm my own biggest critic, I really am. Because my own standards are so high, I criticise myself behind the scenes more than perhaps I should, according to people who know me well.

I can feel very brave through all the action scenes in front of the people who are on the set, but when a girl comes close to me my face turns red because I'm so shy.

Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter.

I would have to say honestly I was very pleased to be in a film whether it was good or bad with De Niro, Norton and Brando even if I don't have any scenes with them, I thought it was pretty good company to keep.

Nah, I've done sex scenes before, you know, like in video.

Shoot a few scenes out of focus. I want to win the foreign film award.

Unless the story line carries the scenes, the scenes don't really mean anything.

I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do.

Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.

There are scenes here and effects here that would make George S. Patton wince.

The degree that these scenes went to... there was a couple of days I was upset... I'd have to hurry back to the girls in the makeup trailer and have a bit of a cry because it messes with your head.

I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.

You know, I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes,' and now it's a real struggle trying to keep storylines and plotlines a secret.

It's always weird doing love scenes. And the thing is, you can't really photograph two people kissing naturally, because then you wouldn't be able to see anything.

You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.