Scenes Quotes

These scenes deal with what happened before Hannibal Lecter was captured for the first time.

Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!

Some of the biggest changes that have happened are behind the scenes, in the way we produce the magazine. E.g., much of our production has been brought in-house via desktop publishing.

There are scenes here and effects here that would make George S. Patton wince.

There's a lot of research behind the scenes that you don't get to see, but I have an instinct that my dad nurtured from when I was born. I was very lucky then.

I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.

I got to meet Mark Hamill. He signed some Star Wars posters for us. I saw the fight scenes he had. He was really into making fun of himself and Star Wars.

It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.

I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.

The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.

My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.

If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.

I used to play the piano in the band, and so there's some horrendous scenes of me playing the keyboards.

I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.

I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.

The most boring scenes are the scenes where a character is alone.

I'll fly Away took place in the 50's and 60's in America's South, and there are a couple of scenes where me and my friends are supposed to be skinny dipping with these girls.

If you're a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it's kind of exciting.

I only have three scenes and each is a turn and she gets progressively drunker. It's all terribly funny and its main challenge is that it's so far away from what I usually do.

TV is so different from the movies. It takes a lot of stamina because you work such long hours. It is really challenging. You are learning the next day's lines while you are shooting today's scenes. I found courage I never realised I had. I hope to do more.

Action scenes get me so excited, and my adrenaline starts pumping.

No manager in the world gets good results all the time and you know there's people always ready to have a snipe. In fact I'm my own biggest critic, I really am. Because my own standards are so high, I criticise myself behind the scenes more than perhaps I should, according to people who know me well.

There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.

I can feel very brave through all the action scenes in front of the people who are on the set, but when a girl comes close to me my face turns red because I'm so shy.

Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.

I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.

Shoot a few scenes out of focus. I want to win the foreign film award.