Producer Quotes

Marty Richards is an angel on Earth. A producer that does what he says he'll do. He helped me greatly.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.

You sit there waiting for the RED LIGHT to go on. You could be sitting there for five minutes, waiting, while the producer talks to the engineer. Then the light goes on you know that you mustn't make a mistake for at least 4 minutes.

The first principle of the market economy is that it is comprised of many small buyers and sellers, which implies a substantial degree of equity. Another fundamental market principle is that costs are internalized in the producer's price.

I'm just a musician and a record producer.

I do think I'm lucky I met Michael. Not just Michael Douglas the actor and producer with two Oscars on the shelf, but Michael Douglas, the love of my life. I really do think it was meant to happen.

Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?

Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.

It was very unusual, because normally the producer requests the test to determine whether they want to hire someone or not. Olivia was concerned about playing a seventeen year old.

We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.

My college training was primarily in theatre, with an eye to becoming a director, actor, or producer.

There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.

My son is a hip-hop producer.

Jerry Weintraub, the producer, might be a pain in the ass, but he really knows how to treat his actors.

Some artists want a producer to be a kind of svengali - someone who actually creates a sound for them.

Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

I mean, I'm new but I've always been very interested in film making process and I've been lucky enough to work with film makers in my past that have been very encouraging to let me hang around. I get so emotionally vested - that the producer part of me was natural.

I look at old interviews and things and they say, 'What do you want to do when you grow up?' I say, 'I want to be a producer.' And I'm really fortunate that I was able to do it.

Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.

I think that being a producer is business and being an actor is art.

I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.

I'd like to be an assistant producer to a reality show.

Immediately after the Floyd experience, I became a pop record producer.

Now a movie with 30 million returns would be something very incredible and the producer can only get 10 to 15 million. This is only 100 thousands US dollars. This is not enough!

And I may often question choices I make as a producer. But I've never questioned the choices I make as a director.

Every man is a consumer, and ought to be a producer. He is by constitution expensive, and needs to be rich.

People in the record business would say, Well, Pras, you know, you haven't been out in a while, maybe you should get today's hottest producer or rapper to do something.

I came to New York to be an actor and I became a film producer first.

I was singing a lot of waltzes. And I was with Jerry Kennedy, my producer, and he was playing me some songs, and he said, hey, I want to play you this song that I'm going to get Jackie Ward to record.