Television Quotes

We don't get too nervous for too may things, but on television a few million people are sitting there watching. Definitely a lot more nerves.

I've worked in television long enough to know that when you stop enjoying that type of thing you go home and do something else.

You never know what's going to happen with television these days.

There's an awful lot of terrible television which I could do, but I mostly stick to Have I Got News for You.

Well I'm not much of a singer. But it's been a really nice time to do film, television, theater and have it all happening at once. That wasn't planned but it just happens.

I went door-to-door selling cable television subscriptions when I was in college. Not to date myself, but cable was just coming on. I had terrible territories, and they would give me $25, if I got somebody to let them come and just put the little cord in their house.

Nothing is really real unless it happens on television.

I watched television a little, but I mostly just drew and read magazines.

I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.

I believe there's too little patience and context to many of the investigations I read or see on television.

Asylum was good exposure for me and it is still shown quite often on television. I remember the special effects people had fun making a little doll that looked like me - which is not so easy - and it had to move along the floor.

I definitely acknowledge that 'The Matrix' and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.

Television has changed the American child from an irresistable force to an immovable object.

I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.

By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

The thing that cracks me up is how these reality characters start out thrilled and excited just to be on television, and how they move to thinking they are as big as the Friends.

I don't use the big video screens that a lot of other artists use because personally, I think it's kind of a crutch. I think sometimes it's like watching television as opposed to really getting involved with what is happening onstage and the people in your section.

I know it sounds hokey but I think, ultimately, on television you can't hide who you are.

Then the album created a tremendous furor and got me kicked off Christian television for two months, and then restored after they settled down and listened to the music and realized there was nothing wrong with it.

When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.

It is to TV that I owe my freedom from bondage of the Latin lover roles. Television came along and gave me parts to chew on. It gave me wings as an actor.

I don't see myself doing television, but I do see myself directing.

Cutting edge, breakthrough, television. That's what we want to do.

Local television and local TV news isn't telling the voters about local candidates.

I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.

I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.

There's tons of creative people in television that have one failure after another, and they just step up higher. I could never get over that. When I had a failure, there was no such thing as just getting over it.

I sang in the coffee houses of the country in the early '60s with no idea of success in terms of records or television. I just thought I was a storyteller. I didn't even think of myself as a singer.

Sweden was very nice. I did a lot of television. I wrote, directed and was in a lot of television there.