Story Quotes

If you think you have it tough, read history books.

I think my story says that, when women are given the chance and the opportunity, that we can achieve a lot. We deliver.

In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.

Although Bill Finger literally typed the scripts in the early days, he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.

My books are character-driven. They're not driven by the story.

A skillful playwright might have a good time with the story of the assassination of President William McKinley, and especially with the three most flamboyant political figures involved: Mark Hanna, Theodore Roosevelt, and Emma Goldman.

I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.

Being an actor is an extension of telling a story and I loved story telling as a child.

The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.

In the beginning, I would find a character I understood. That was my focus. Not now - but you basically get offered the exact same thing you just did. Which I find hilarious. I did 'The Vow,' and then I had every love story you can imagine thrown at me. And now I'm getting offers for comedies.

But when you get to a song, not only do you have to do a vocal melody, you have to write words and not be redundant and make some semblance of a story.

As a journalist, the details always tell the story.

The name America has definitely grown on me. I wish there was a big patriotic story behind it, but the truth is that my grandfather was a librarian who knew all sorts of random facts.

Green Eggs and Ham was the story of my life. I wouldn't eat a thing when I was a kid, but Dr. Seuss inspired me to try cauliflower!

The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.

Because Lincoln is so closely identified with what it is to be American, everyone wants to claim him, to rewrite his story to satisfy their own particular needs.

It was a big story and yesterday's soup. Who cares?

The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it.

The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.

But it's a very universal story and the thing is I was reluctant to answer that question because I don't want people latching on to a particular stereotype.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

A story to me means a plot where there is some surprise. Because that is how life is - full of surprises.

Every doorway, every intersection has a story.

We are the hero of our own story.

I wouldn't go out of my way to experience the indignity of middle-age just because it might be good meat for a story.

They can certainly expect to be very impressed with the technical aspects of the show, fooled and led up the garden path by the story and ultimately have a jolly good laugh!

I do have to earn a living, so I'm conscious of probable reactions from readers, but the most important one is still the awareness that if I'm not enjoying a story, the reader won't either.

It's so many years of reading story. You leave work and it goes away till you see it air on television.

Movie-making is telling a story with the best technology at your disposal.

If the breaking news event has something to do with young people, specifically with MTV's audience, there was a higher chance that I would actually go cover it with a television camera instead of just write the story myself and read it on the air.