Story Quotes

If they ever do my life story, whoever plays me needs lots of hair color and high heels.

I came up with a story and I wrote it.

I wanted to make a love story without being nerdy.

I'd like to do a story about the medieval ages where in every scene you'd sort of feel that you were in the 12th century. That would be great to get that feeling.

To come up with the ending to a story and then work backwards is like tying your shoe with one hand only.

The idea led me into the research, which continues to give me more ideas for the story.

The perfection of our union, especially our commitment to equality of opportunity, has been a story of constant striving to live up to our Founding principles. This is what Abraham Lincoln meant when he said, 'In giving freedom to the slave, we assure freedom to the free - honorable alike in what we give, and what we preserve.'

A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.

It's about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story, and all kinds of sonic goodness - sonic goodies.

I will do almost anything for the sake of a joke or for the sake of someone's real belief in something to help tell a story. I will not do something shocking for the sake of being nasty. If it's not hurting anyone's feelings, I'm in on the joke.

Watching a movie from beginning to end is like reading, because even though what you see are images, they are telling you a story.

I bought a selection of short, romantic fiction novels, studied them, decided that I had found a formula and then wrote a book that I figured was the perfect story. Thank goodness it was rejected.

I know some actors feel classes are not cool or they create negative public relations, but I continue to crave the story just beyond my reach. To grasp that brass ring I need to continue to fine-tune my talents.

You cannot base a whole movie on just the imagery alone. It has to be the story and the characters.

If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.

I mean I have a project that I have been wanting to make for quite a while now; and basically, it's a story of my parents growing up in the Lower East Side.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

Sometimes you can tell a large story with a tiny subject.

People still love a good story, and I don't think that will change.

Duality is not a story. Duality is just a complexity.

The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.

Parks said, he's guilty and that's the end of the story.

I figured somebody wrote a story who had a typewriter and I thought that movies were made by the cowboys and that they just said, 'Okay, you fall off the horse this time.'

It all goes back, of course, to Adam and Eve - a story which shows among other things, that if you make a woman out of a man, you are bound to get into trouble.

Having had that experience... I think, what modern culture wants to see is the relationship with the woman. I don't think you can tell a story on film nowadays where the woman simply is there for the man when he decides to settle down.

I'm entirely interested in people, and also other creatures and beings, but especially in people, and I tend to read them by emotional field more than anything. So I have a special interest in what they're thinking and who they are and who's hiding behind those eyes and how did he get there, and what's the story, really?

I went to a large consolidated school in Appalachia. And I wrote the story when I was in the second grade and I took it up to the third floor to the school newspaper office that was written and edited by juniors and seniors.

In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.

My story of success and failure is not just about music and being famous. It's about living and loving and trying to find purpose in this crazy world.

I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.