Quotes By Roddy Doyle

I've been asked why does Ireland produce so many great musicians, and the answer is it doesn't. When you count the great musicians Ireland has given the world in the last 20 years, you can do it on one hand.

My novels come from within me; they are things I feel I want to do.

When I was growing up, the exam system didn't allow you to write fiction, so you never did.

Good ideas are often murdered by better ones.

I wouldn't go out of my way to experience the indignity of middle-age just because it might be good meat for a story.

When I started writing full time I had not long stopped being a teacher and when at last I had a full day to write, I would put music on and wonder to myself - am I allowed to do this? Then I thought: 'I am control of this and no one is telling me what I can do.'

Some of the people who look the most normal are probably the maddest people trying to look normal.

When you grow up on an island, what matters is how you stand to the sea.

It's hard for me to measure them, or to assess my books because I'm so close to them.

I do enjoy Gothic fiction or books about zombies if they are well written and I like vampires.

Most working days I can be at my desk for nine hours a day.

I see people in terms of dialogue and I believe that people are their talk.

I'm not recognised that much. I'm just a bald man in glasses and there's a rash of them in Dublin. It'd be different if I had a mohican.

Ulysses could have done with a good editor. You know people are always putting Ulysses in the top 10 books ever written but I doubt that any of those people were really moved by it.

When I was a kid, if you didn't speak Irish, you really wanted to. And you played Gaelic games and you didn't pay any attention to what was happening in the outside world, because really, Ireland was the center of the universe. And I don't think that's the case anymore. Although, admittedly, it is the center of the universe.

I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.

If you're from Dublin, for example, chances are you live with your family, if you're lucky enough to, right up to the mid-20s. And most of the people I know, when they finally sort of set off on their own, they don't stray all that far.

It's great meeting children because you never know what they will say.

I'm going to sound like an old man but at my age, it's lovely doing something that you've never done before.

If you are a writer you're at home, which means you're out of touch. You have to make excuses to get out there and look at how the world is changing.

Sometimes adults seem as though they have cut a chord from being a child.

My parents were sixty years married.

Schools don't really allow failure and yet it's a valid part of any endeavour, not just writing.

I tend to plan as I write. And I want to leave myself open and the character open to keep on going until it seems to be the time to stop.

I had to make sure I kept an eye on the real world.

I like naming characters.

No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.

When I'm writing I just think there's only the page and me and nobody else.

The problem with being Irish... is having 'Riverdance' on your back. It's a burden at times.

It's a big con job. We have sold the myth of Dublin as a sexy place incredibly well; because it is a dreary little dump most of the time.