Quotes By Len Wein

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.

Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes.

I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.

I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw.

I try not to violate what came before me and to leave lots of wiggle room for those who will follow.

The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil.

Lord of the Rings, I think, is far and away the most brilliantly done stuff.

I've had editors over the years who couldn't find a clue if it was stapled to their butt.

Were there stories I wrote along the way that were terrible clinkers? God, yes. But they were all a product of their time, and I did the best I could.

I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.

What makes a story is how well it manages to connect with the reader, the visceral effect it has.

These days, it seems that if you're not already in place, you can't get there from here.

I realized the only thing I owed my audience was my own judgment and my own best effort.

It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.

When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.

When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine.

You can read a dozen different textbooks or how-to manuals that will tell you the basic rules of what makes a story - a beginning, a middle, and an end.

I would like immortality.

I'm a neurotic New York Jew by birth. Creating characters is second nature to me.

Unfortunately, there are writers whose only concern is how good they could make themselves look on a title.

I always wanted to fire rays out of my fingertips.

In these litigious times, if you're a beginner, it's becoming harder and harder to get your work to the people who might actually be able to hire you.

The bottom line always remains the same: What is the basic humanity of the character? How do I make them resonate with the reader?

A true friend is someone who is there for you when he'd rather be anywhere else.

Sometimes you're not even sure which of your stories were failures. There are things I've written that I thought were complete catastrophes when I finished with them that have gone on to generate some of my most positive feedback.

I try to find what makes even the worst, most despicable character sympathetic at his or her core.

I've never sat down and thought about the difference between plot and theme. To me, that's never been important.

I hate the crazy, neurotic characters beyond a certain point.

I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked.