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Whenever I was with a woman, I always sort of want another one. So there was always another one. I can't explain this.

If somebody thinks they're a hedgehog, presumably you just give 'em a mirror and a few pictures of hedgehogs and tell them to sort it out for themselves.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

Though 'Fire and Rain' is very personal, for other people it resonates as a sort of commonly held experience... And that's what happens with me. I write things for personal reasons, and then in some cases it... can be a shared experience.

Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way.

It's like that with what sort of ideas people outside of the band have of HIM. They all see it through a different lens as well which is beautiful. Hopefully, it makes it an endless topic of conversation.

I am not an idiot, and I'm not a Pollyanna sort of kumbaya type.

I've been sort of traveling around the country for ten years talking about independent features.

I'm not someone who's sort of still trying to figure out what I believe in.

I think children are like pancakes. You sort of ruin the first one, and you get better at it the second time around.

I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS.

Success breeds success, and failure leads to a sort of fallow period.

I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.

You know, things kind of happen organically and, you know, Broadway sort of happened out of a career in performing and - which happened out of practicing piano when I was a kid.

When I got to 40 or so... I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on, and many that I had no control over whatsoever.

You lose your habitual behavior, which allowed you to sort of zone out. You have to be here, you have to be now, you have to be present.

I mean, we've had all these awful pictures from the prison in Iraq and these sort of memos floating around about justifying torture, all this kind of stuff. And it makes you want to take a shower, you know?

Some people come out going, I don't get it. And I don't quite know what they're trying to get, what they're struggling for. We have had the reaction where people leave the movie sort of uncomfortable and befuddled. Although that wasn't our intention.

I sort of enjoy the fact that I'm misunderstood most of the time. That's fine.

Never in the history of 'The Shield' was the word 'LAPD' ever mentioned. We would mention districts, like Wilshire and Hollenbeck and Marina, but Farmington was a fictitious district, and we never actually uttered the word 'LAPD.' So that was sort of the deal we made with them.

When I decided to be a musician I reckoned that that was going to be the way of less profit, less money. I was sort of giving up the idea of making a lot of money. It was what I loved to do. I would have done it anyway. If I'd had to work at Taco Bell I'd have still been out at night trying to play music.

Pushing the envelope' sort of implies that you're inside the envelope with everyone else, and you're trying to find the edges on the outsides.

Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.

What I do for exercise sort of depends on what's happening in the rest of my life.

I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.

Whenever I go out, so many people who respect me ask me what to do in a certain situation. A lot of times, I didn't know the answers because sometimes I was going through the same sort of thing. But then later on, I would think of things that people told me.

There is a sort of elation about sunlight on the upper part of a house.

All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.

Figure skating is an unlikely Olympic event but its good television. It's sort of a combination of gymnastics and ballet. A little sexy too which doesn't hurt.

I never planned on doing a book about Paul Farmer or his organization. I met him in Haiti when I was on a magazine assignment. It's almost like his story sort of fell in my lap.