Musical Quotes

One reason I left local news was that I was tired of the constant musical chairs among news directors.

The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.

Soul has no musical geographical or racial boundaries.

Actually John, Paul Rutherford, and Trevor Watts, and several other rather well known English jazz musicians had got their training by joining the Air Force, which was a pretty standard way for people to get some kind of musical education in those days.

I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.

I'm trying to bring a new generation into the musical theater and to create a new audience.

It was an amazing adventure, it was my dream to be in an American musical... I really hope you are going to love what you are going to see.

There are two kinds of success. One is musical or artistic and the other is commercial.

My biggest musical influences are probably my parents.

The film was fair to his musical achievement and gave him every opportunity to explain himself.

My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.

I had pretty much raised my kids and my first wife and I were divorced, so I began, in earnest, to start my musical career again. Going for the big record deal and all of that.

I wouldn't say no to other kinds of musical opportunities. I guess that it just depends on what it was or what it required me to do, and if I felt that it compromised my own soul.

My musical background is like almost every non classical musician in the world. One day a special record was heard and that was it. I was hooked, started trying to play various instruments and was off to bar land to become a rock star. What else?

We thought it would be great to see if you could put pop music back into musical theater.

I just know so many people who have six or seven foreign languages and have read everything and have musical training and they are still dorks.

Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.

I like Rufus Wainwright a whole lot. He makes me wanna be even more musical.

When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.

There will always be a part of me that wants to do a movie musical. I feel like you're doing yourself a disservice when you say something like that, because you never know if that thing is gonna come along and be right, but I'd be lying if I said that that wasn't true.

Memphis is a great town, man. There's a great musical community here. I'm trying to fit in.

I'm doing a new musical on Broadway, which opens in October called 'The Boy from Oz,' where I play Peter Allen. For those of you who don't know, he became first famous in America for marrying Liza Minelli.

If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.

I started out really into musical theater. So you can imagine I was super popular. I wasn't awkward looking at all.

I'm glad you asked that question, because of any musical situation I've been in, the communication feels great here with Russell. He really pays close attention to what I'm doing because he cares.

I always try to think of a vocabulary to match different musical situations.

Every few generations there are people who come along that change the way we look at the world, for musical enthusiasts Monk is one of these individuals.

But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.

I don't think the Bonzo Dog could have evolved in America, nor could the old Nice: because of their musical discipline. This is one thing that British groups do have, a sort of discipline. Sometimes it can get a bit soulless, but on the whole I think it's preferable to the American alternative.

It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.