Crew Quotes

There are no passengers on spaceship earth. We are all crew.

And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.

So, for me, I make no difference whether I'm training with my shuttle crew or the Expedition crew. Of course, I think I want to take more care of the Expedition crew, because they're going to stay there for a long time.

You can't direct without a good crew.

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.

We don't want a third party who may or may not have our best interests in mind or our crew members' best interests in mind because they may be serving a union of one of our competitors. They are trying to equalize us and take away our competitive advantage.

I knew Childress was going to help me because my crew told me on the radio. I really appreciate what Richard did, but that is typical of people in this sport.

The Columbia is lost, but the dreams that inspired its crew remain with us.

Channel 4 are a great bunch of people to work with and the crew are lovely. Working at ITV was like being in the court of Caligula.

It doesn't bother me that Seven has such an overtly sexual presence, because she has no concept of what effect that physical package would have on some male member of the crew. That's what's fun, her innocence.

Yeah, that came out of a reading. It was great. It's such a fun crew to be with, and we all went out the night before and that really encouraged us to go out and get drunk.

Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.

I try to tell the people that are sort of new here when they come in and do their flights and whatever, the things that you remember most after your flights are the interactions you've had with your crew. Those are the most satisfying things you take away from a flight.

I had such a nice time making it, and I can't wait to make the fifth one. The whole crew were just really, really lovely. All the costume people, the make-up girls, the kids - even my driver.

The crew, like all Italian crews, was generous, warm, and enthusiastic.

The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility.

We're going to be focusing our science on things that will take us farther and longer into space. For many of those experiments, the crew members are human guinea pigs, which is fine; that's part of my job. I don't mind being a human guinea pig.

I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.

When you're filming, you work 19-hour days and you know more about what's going on with your crew and co-workers than you do with your husband. You're away, you miss things. It's taxing. Relationships fail because of it.

My dad served in the Air Force as ground crew for several years, and doesn't really talk about it. I know that it's there. I think my main thing about direct or indirect experiences as near to home as it were is the idea of self-sacrifice really.

At one point, they offered me this part to play a drug-dealing, gun-selling butch lady. I don't know how to describe her but she had like a crew cut and stuff. I was like, 'Is this a joke?' And they said, 'No, we think it would be great because everyone would be like, 'Oh, look at what we've done to Charlotte.' I was like, 'Well I can't do that!'

I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.

I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.

I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.

I try to respect the rules of the silent movies and I tried to make signification to make sense, and also the crew were very good and the fact that we shot in LA in the real Hollywood, studios and houses. We shot in the bed of Mary Pickford, and you cannot be any more accurate than that, so that helped a lot.

I feel a tremendous responsibility to my crew, to my cast, to every guest star that comes on.

It comes down to building your own world out here on the road. It's who you surround yourself with. My band and crew are really positive guys.

With all the weird surroundings of outer space the basic underlying theme of the show is a philosophical approach to man's relationship to woman. There are both sexes in the crew, in fact, the first officer is a woman.

I have a rule that I don't read my press, but then somebody in the crew will be reading it and of course it's right there, so what do you think I do?

I talked to everyone about the project: actors and extras, members of the crew and passers by.