Crew Quotes

We're going to be focusing our science on things that will take us farther and longer into space. For many of those experiments, the crew members are human guinea pigs, which is fine; that's part of my job. I don't mind being a human guinea pig.

I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.

When you're filming, you work 19-hour days and you know more about what's going on with your crew and co-workers than you do with your husband. You're away, you miss things. It's taxing. Relationships fail because of it.

Yeah, that came out of a reading. It was great. It's such a fun crew to be with, and we all went out the night before and that really encouraged us to go out and get drunk.

Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.

I try to tell the people that are sort of new here when they come in and do their flights and whatever, the things that you remember most after your flights are the interactions you've had with your crew. Those are the most satisfying things you take away from a flight.

I had such a nice time making it, and I can't wait to make the fifth one. The whole crew were just really, really lovely. All the costume people, the make-up girls, the kids - even my driver.

I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.

I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.

I try to respect the rules of the silent movies and I tried to make signification to make sense, and also the crew were very good and the fact that we shot in LA in the real Hollywood, studios and houses. We shot in the bed of Mary Pickford, and you cannot be any more accurate than that, so that helped a lot.

I feel a tremendous responsibility to my crew, to my cast, to every guest star that comes on.

It comes down to building your own world out here on the road. It's who you surround yourself with. My band and crew are really positive guys.

With all the weird surroundings of outer space the basic underlying theme of the show is a philosophical approach to man's relationship to woman. There are both sexes in the crew, in fact, the first officer is a woman.

I have a rule that I don't read my press, but then somebody in the crew will be reading it and of course it's right there, so what do you think I do?

My dad served in the Air Force as ground crew for several years, and doesn't really talk about it. I know that it's there. I think my main thing about direct or indirect experiences as near to home as it were is the idea of self-sacrifice really.

At one point, they offered me this part to play a drug-dealing, gun-selling butch lady. I don't know how to describe her but she had like a crew cut and stuff. I was like, 'Is this a joke?' And they said, 'No, we think it would be great because everyone would be like, 'Oh, look at what we've done to Charlotte.' I was like, 'Well I can't do that!'

I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.

The men and women who make up a plane's crew put their lives in jeopardy each time they fly. It's our job as much as anyone's to make sure we make it as safe as possible up there for them.

The 'Mythbusters' crew, we monitor the Discovery boards, we look for the new ideas that are being forwarded on those boards, and we keep track of what's going on, we keep updated.

The cast and the crew made me feel really welcome. Towards the end it just got better and better.

I used to feel so shy speaking to girls. It was even worse when they were around their crew because they would diss me.

Well, it wasn't a holiday, but I had expected to do some sightseeing when I went to Haiti to film a series called 'True Horror' for Discovery. Before I arrived, our film crew were kidnapped and held at knifepoint.

When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.

I talked to everyone about the project: actors and extras, members of the crew and passers by.

I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.

You have to understand that crew members make movies so they're seeing a lot of actors all the time in their career acting.

I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary.

When you tour with a band, you're just out there, and it's just you guys. That's your little universe. If you do a play, it's the same deal. That becomes your world, for the cast and crew.

There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.

We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.