Crew Quotes

It is first and foremost very hard work! But I have a wonderful part and I do have fun. The company, cast and crew of 'Passions' are wonderful to work with.

My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.

If it wasn't for 2 Live Crew videos wouldn't look like they do and rappers wouldn't sound like they do.

I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary.

When you tour with a band, you're just out there, and it's just you guys. That's your little universe. If you do a play, it's the same deal. That becomes your world, for the cast and crew.

There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.

We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.

The success of the film is down to the crew.

The thing about that too is that we had the same extras everyday. It was such a community. It was like a microcosmic little town. We were like all little towns people with extras and a crew.

I saw a boy of the crew purchasing javelins of them with bits of platters and broken glass.

I have a wonderful make-up crew. They're the same people restoring the Statue of Liberty.

I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.

Let me tell you something: if you're on an island for three and a half months and you're four and a half hours by boat from the nearest store, and there's nobody but 30 crew members on the island, I guarantee that you'd be running around without your clothes on.

A sailing ship is no democracy; you don't caucus a crew as to where you'll go anymore than you inquire when they'd like to shorten sail.

It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.

In France, you're with the crew, and you have lunch with them. It's more like a family.

I work hard. The staff and crew see how much energy I put into this project, and it makes them step up.

I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.

I've done sexual stuff before - onstage, which is even more emotionally difficult. With a TV crew around, you are stopping and starting; it becomes really technical. It's not erotic at all.

The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.

But I won't work with the exact same crew film after film because I feel the work would get a little complacent.

I have been instrumental in banning bottled water on the set. It hasn't gone that well with the crew... so I replaced it with tequila.

There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.

It's hard to act terrified when you have 200 crew members around you.

Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again.

You can't get a good crew and a good sound system, and a good light system if you do a small tour. If you want the best, those guys want a commitment of about 4 to 6 months. And I'd want the best people and the best stuff.

After assembly complete, when we have a larger crew on orbit, a more complex vehicle, more laboratories and more robot arms, maybe we'll have room for specialists. But right now we don't.

A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing.

Everyone would talk about their diets and working out and what it made me do was go to craft services where all the food for the cast and crew was and I would eat.

Profile has half the publishing and they control and administer the publishing and distribute and own the records, so our group is a 10-point crew. But we got a lot of money off of the shows.