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It's better for me to go up against someone's passion with my passion and then clarifying something that he wrote. Then I know how to work around certain things.

The Internet is just a world passing around notes in a classroom.

But I'm not particularly comfortable around guns.

The fact is, most journalists I know are not particularly political. They move around a lot.

There is also a natural and very, very strong empathy with the underdog, with people who have suffered, people who have been pushed around by foreigners in particular, but also by their own people.

Anytime I am around a male body part it is kind of exiting.

My parents were music lovers and collectors. It was around.

I wouldn't describe that "position" as "parasitic." I'd describe that experience as "edifying." I don't merely write from a critical intellectual distance. I actually live around here.

I don't like getting out when I could be painting. And when I'm painting, I don't want anybody else around.

I attempt to write a good novel. Whether it is literature or not is something that will be decided by the ages, not by me and not by a pack of critics around the globe.

Around my own friends, I like to mess around.

Everyone carries around his own monsters.

We used to go around tipping outhouses over, or turning over corn shocks on Halloween. Anything to be mean.

I think we carry around the idea of being a Kid in the Hall as part of our identity. It's a big part of how we see ourselves now.

So, it's a matter of that I want to take our music around the globe.

At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.

Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others. I do not add 'within the limits of the law' because law is often but the tyrant's will, and always so when it violates the rights of the individual.

If you ask an economist what's driven economic growth, it's been major advances in things that mattered - the mechanization of farming, mass manufacturing, things like that. The problem is, our society is not organized around doing that.

It is futile for an artist to try to create an environment because you have an environment around you all the time. Any living organism has an environment.

You're going very fast when you're on orbit, going around the world once every hour and a half.

Opportunities are often things you haven't noticed the first time around.

If you don't operate it as a business, you aren't going to be around very long.

To be honest, once you've driven around for about five, 10 laps, you don't notice a difference.

Everybody in America started to define themselves by all these things they had around them. And all of a sudden it came tumbling down. So the old American dream has died, and that is a good thing.

So, do you live around here often?

In our office, we have a whiteboard with all of our ideas and things we want to write on it - great ideas we have that we haven't had the time to get around to yet.

I have the flying dream a lot where I'm jumping off a building and just flying around.

When we live up to our Constitution, let's form a Conga line around the Capitol and bungee jump off the dome.

I mean, obviously, a lot of people know me around the world. Kids know me.

Obviously, all of us have been influenced by those around us.