Story Quotes

Cafe De Flore speaks of love, its joys, its pains and its dramas - to love and to lose. This story upset me, I was upside-down, in the depths of myself.

My husband jokes that I'll invite people over for dinner and he won't know who they are or where I met them. But in my work world, I've never really been tempted to tell too much of my story.

I sing seriously to my mom on the phone. To put her to sleep, I have to sing "Maria" from West Side Story. When I hear her snoring, I hang up.

I'm always imagining some sort of story behind the song, even the ones I haven't written. I'm actively engaging in playacting.

It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.

So often corporate America, business America, are the worst communicators, because all they understand are facts, and they cannot tell a story. They know how to explain their quarterly results, but they don't know how to explain what they mean.

You're following your track, the story, your only plan, your map for the audience, and all the other stuff is, like, the fun stuff: the costumes, the locations, the set-dressing and the actors. They can all be variable as you like if you stick - however roughly - to the path.

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.

The story line was done in a way that's organic and was doled out very slowly in little bites. We think that's authentic for this character, that her feelings are very deeply buried or she never felt them.

You'd have to have one hell of an imagination to completely make up a story, but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies; we do.

Surely the whole point of writing your own life story is to be as honest as you possibly can, revealing everything about yourself that is most private and probably most interesting for that very reason.

From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters.

One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.

Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.

I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.

'Save the Date' feels like a quiet story about two sisters and the men in their lives, kind of reminiscent of the quieter rom-coms of the 1990s; it's very character-driven and not as wedding-focused.

Everyone has their story. Everyone has issues. You have to face your fears.

We want a story that starts out with an earthquake and works its way up to a climax.

I would love to see more women directors because they represent half of the population - and gave birth to the whole world. Without them writing and being directors, the rest of us are not going to know the whole story.

With action films, it's great if it's not just driven by action, but by a good story and interesting characters, as well. Though, there's nothin' like kicking butt!

I'm just writing a story that I want to read.

President Obama was asked not long ago to reflect on any mistakes he might have made. He said, well, 'I haven't communicated enough.' He said his job is to 'tell a story to the American people' - as if that's the whole problem here? He needs to talk more, and we need to be better listeners?

Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.

What the detective story is about is not murder but the restoration of order.

A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side.

Many have been with the show for years, and they have sources in the business, so we do know things, but until it is verified, we don't run with the story.

Indeed if we Christians so tell our story that Judaism is silenced, then we have not spoken rightly of Christ.

I really haven't had that exciting of a life. There are a lot of things I wish I would have done, instead of just sitting around and complaining about having a boring life. So I pretty much like to make it up. I'd rather tell a story about somebody else.

Queer Eye for the Straight Guy is a form of service journalism. To be successful, I think it has to be a combination of a good story, it has to be funny, and it also needs to be packed with useful information.

Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene.