Sketches Quotes

The original Dean Martin Comedy Hour handed me some hysterical sketches. I've got highlights on tons of these variety shows, given to me by their great writers. I'd love to be doing all that again.

Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down - never previewed the movie - we just really winged it.

Those early sketches looked too cartoony; I really wanted to do detailed drawings - I was taking anatomy classes - but unfortunately I wasn't able to do it because of the time element.

I never go anywhere. I do sketches and make phone calls, and people visit. It's more fun to come to Paris.

These rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes saps the vitality and powers of those who never know when to leave off.

Occasionally projects just take off unexpectedly, sometimes you can work away at sketches and ideas for years before they are published. There are a number of authors I would be eager to illustrate.

You can't do sketches enough. Sketch everything and keep your curiosity fresh.

I love Benny Hill. He one of my favourites of aaall time. Like, the way Benny did it, he was just amazing. Just seeing how he put songs together and comedy and the timing and the sketches. He was way ahead of his time.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.

Sketches have characters, exits, entrances and are vastly different.

It's always so early in here, before the crossroads, before the irrevocable choices. Thank you for this life! Still I miss the alternatives. The sketches, all of them, want to become real.

I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.

Some of these sketches were done at the very beginning of the Pirates project, when I was trying to find a direction for myself. That was the early sixties... maybe 61 or 62.

I love telling stories. I love the intimacy between the writer and reader. When you write sketches it's over in two minutes. When you write a book the characters have to have a bit of emotional depth.

The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year.

In the past, so many of my records, really, have been sketches for records that never really got made.

My books were always full of ink blots, always stained and covered with smeared sketches and pictures, which one draws idly when his attention wanders from his task.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.

Royal Canadian Air Farce, and I was in three sketches there. And they wrote some really great stuff for me.

I have a showroom where we experiment with twelve cakes. We develop sketches and ideas for cakes for the next season. We work with the top fashion designers to see what type of lace they are using or work with the top florist for us to be able to make various sugar roses or flowers.

I was doing sketches that were funny but socially irresponsible. I felt I was deliberately being encouraged and I was overwhelmed.

I don't believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky.

Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.

Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.

When I travel, I draw and paint sketches which is great fun. And as long as you are fully aware that it has nothing to do with actual art, I think that's all right.