Quotes By Rowan Atkinson

I think I have an inner confidence that my tastes are pretty simple, that what I find funny finds a wide audience. I'm not particularly intellectual or clever or minority-focused in my creative instincts. And I'm certainly not aware of suppressing more sophisticated ambitions.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

It's a bit disconcerting being treated like Madonna.

I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

But, actually, so many of the clerics that I've met, particularly the Church of England clerics, are people of such extraordinary smugness and arrogance and conceitedness who are extraordinarily presumptuous about the significance of their position in society.

Nope, I don't enjoy work generally. Not because I'm lazy; it's just all so stressful and worrying.

And, we put a lot more value, or at least I personally put a lot more value, on the creative values and creative challenges of something than the commercial necessities.

I have always regarded Mr. Bean as a timeless, ageless character, and I would rather he be remembered as a character mostly in his 30s and 40s.

I would return to the Blackadder character if the opportunity came up. I have no qualms about that at all.

No, no, I was only funny on stage, really. I, I, think I was funny as a person toward my classmates when I was very young. You know, when I was a child, up to about the age of 12.

But I always feel that whatever I do, I could do better. I suppose it is perfectionism.

It's not easy to take a sit-com and turn it into a feature.

But generally speaking, I tend to be quiet and introspective.

I don't much enjoy Back and Forth. I mean, I think it has its own particular qualities, but I think it's inferior to any of the half-hour ones we did.

Marketing is what gets you noticed, and that side of it something - this side of it, if you like, doing interviews - is the side of it that I least enjoy, and yet is 50% of the project.

I consider myself more of a visual comedian than a physical one.

Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.

We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.

People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.

I'm more critical of the films I make than anyone else.

Mr. Bean is at his best when he is not using words, but I am equally at home in both verbal and nonverbal expression.

Get that right, then- if you get the quality right, then the marketability or whatever; your ability to sell videos or your ability to earn money or whatever, will follow naturally. But try to be creatively lead rather than market lead. And that's important to me.

Of course, some would say if you have a performing inclination, then you should become a lawyer. That's a platform we use, or a priest. You know, anywhere you lecture and pontificate to people.

In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.

The older you get, the more you realise how happenstance... has helped to determine your path through life.

I enjoy racing historic motorcars from the '50s and '60s. The seed of my interest was planted when I was about 12 years old and took over my mother's Morris Minor. I drove it around my father's farm. But my favorite car is still a McLaren F1, which I have had for 10 years.

I feel as though the camera is almost a kind of voyeur in Mr. Bean's life, and you just watch this bizarre man going about his life in the way that he wants to.

Mr. Bean is essentially a child trapped in the body of a man. All cultures identify with children in a similar way, so he has this bizarre global outreach.

When I was doing Bean more than I've done him in the last few years, I did strange things - like appearing on chat shows in character as Mr. Bean.