Scripts Quotes

And I don't think I'm giving away any secrets here, but there are a lot of terrible scripts in this town.

My partner Dan Ireland wants me to direct, and I read a lot of scripts - some good enough that I could see myself. But then it's like, so what? Who cares? Let someone else direct it.

Acting should be bigger than life. Scripts should be bigger than life. It should all be bigger than life.

I hate it when, by page 30, I know what the lead's going to do and then what the bad guy's gonna do. Mostly it's just scripts by the numbers where nothing's surprising, nothing's interesting.

I don't think any actor has the luxury of knowing exactly what scripts are going to turn out well and what ones aren't. It would be wonderful to have that particular skill, and maybe people like Tom Cruise have it more than most, but you go into each project hoping that a good, if not great, film will come out the other end.

It's nice to finally get scripts offered to me that aren't the ones Tom Hanks wipes his butt with.

I've been getting a lot of science fiction scripts which contained variations on my 'Star Trek' character and I've been turning them down. I strongly feel that the next role I do, I should not be wearing spandex.

As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes into it.

I get sent a lot of scripts which feature him as a kind of all-purpose Victorian literary character and really understand little, if anything, about him, his life or his books.

Ever since the movie premiered at Cannes, I've had a sudden surge of scripts and interest.

I read a lot of scripts and so many are clearly a knockoff of one familiar genre or another.

I'm still reading some scripts and I model as well, so I'm still doing that. But I don't want to do like just anything so we're being really selective about the stuff I'll do.

We've read scripts, and I think right now we are just focusing in on school.

I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.

I was looking to become more proactive with my career because I wasn't crazy with some of the scripts I was getting - this was before Blow and Hannibal - so I decided to start my own production company.

I've been reading scripts where they've been doing a lot of singing now, but within the dark, realistic story line. I would love, love, love, love to do that. But not a musical on Broadway, I don't have that kind of energy or stamina.

I'm definitely a messy person... I know where everything is but I just can't organize. I don't make lists and find scripts on the laundry machine, and under my bed, or in the bathroom, kitchen. It's bad, I really need to take control.

I can't read scripts any more because of the trouble with my eyes.

Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.

Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.

I don't look at scripts in terms of commerciality. I just look at the part, the people involved.

Nowadays I construct my books as if they're film scripts.

I've auctioned off many scripts and will continue to do so for good causes.

I've been fortunate. I don't pick scripts. Scripts pick me.

I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

And I find it very easy to memorize the scripts, which are so close to conversations my husband and I have.

Our characters were antiseptic but we weren't. And if you remember what we did on BATMAN, as the scripts were written very funny, we played them very straight.

The reason I turn down 99% of a hundred, I mean a thousand, scripts is because romantic comedies are often very romantic but seldom very funny.

Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.