Scripts Quotes

I'm reading scripts, desperately wanting to work. I've set a couple of things up for next year.

Like most struggling writers trying to get their scripts commissioned, I had to do something odd to pay the rent. So, aged 21, I started up my own small cheesecake company in Philadelphia.

You're always looking for good scripts and when they're not always forthcoming you go mad.

I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.

The one good thing is that I get a lot more good scripts coming through my letterbox. 'Vera Drake' raised my profile in one way, and then 'Harry Potter' in another.

The best thing for me is, when I'm not working, is to be at home and to have a script or two scripts is better, and to be just walking around the house and just thinking about the lines.

There's no one I trust in show business more than Sabrina Wind. She's my eyes and ears when I can't be there. She weighs in on everything, from scripts to sets to advertising.

From the very start of all of this, my mom has read the scripts first. And if she liked something, she let me read it. She told our agent what kinds of parts that we would want.

Most scripts are bad. I read a lot of them.

The beats are like scripts, and the raps are my monologue.

I don't use composers. I research music the way I research the photographs or the facts in my scripts.

I was reading through endless junk scripts that were being sent my way. Typically the roles were to play his wife or his girlfriend - leading roles for women were few and far between.

I want to work with intelligent people and look for scripts that I think are intelligent and surprising.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

I've got one outlet now - music - and it's great to be able to sign someone that excites me. I'd like to also be able to do that with the scripts I get or books or TV shows... I'm not going to limit myself.

Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.

I feel that I can't do certain things that have sent to me, scripts, because I think that really - I've been June Cleaver for so many years, because we went back, you know, and we did - 20-year hiatus we had - and we went back and made 105 new ones. And so I really feel very strongly that there are certain things I won't do.

Movies are not scripts - movies are films; they're not books, they're not the theatre.

I find the most interesting and most daring scripts tend to be for independent films.

I read a lot of scripts that I just don't find very funny.

When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.

I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.

Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.

Hmm, limelight... No, I'm not Sienna Miller or Angelina Jolie. I'm very lucky and happy, but I still find it very difficult to get good scripts and good roles. It's really a jungle out there.

When I first read the script a few years ago I thought it was one of the best written scripts I had ever read.

I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.

I spent as much time writing proposals in '98 and '99 as I did writing scripts.

Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.

I read a lot of scripts. Most of 'em go to other actors.

Reality TV finds talented people. There are no scripts. The editing is what it's all about. Great editing makes those shows.