Quotes By Keanu Reeves

I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.

The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.

On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

I want to make a good, solid kung fu movie.

It's fun to be hopelessly in love. It's dangerous, but it's fun.

I mean, if you didn't get it or if you didn't feel like you enjoyed it, sometimes that experience can change.

I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.

People were saying that David Geffen and I had gotten married and it just blew me away. Not that they thought I was gay, but that they thought I could land a guy that hot.

I try not to think about my life. I have no life. I need therapy.

I'm sorry my existence is not very noble or sublime.

Grief changes shape, but it never ends.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.

Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.

I believe in love at first sight. You want that connection, and then you want some problems.

But I did 'Bill & Ted's Excellent Adventure.' They made a cereal out of it, so once you've had a cereal, it doesn't get much more surreal than that. Surreal cereal.

Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.

When I don't feel free and can't do what I want I just react. I go against it.

I do think there must be some kind of interaction between your living life and the life that goes on from here.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

It's always wonderful to get to know women, with the mystery and the joy and the depth. If you can make a woman laugh, you're seeing the most beautiful thing on God's Earth.

You know what, I'd done an interview show when I was like 16 or 17. One of my first jobs. I did interviews for this television show in Toronto.

I have a producing partner named Stephen Hamel, and we've been trying to generate material.

I'm Mickey Mouse. They don't know who's inside the suit.

I'm a meathead, man. You've got smart people, and you've got dumb people. I just happen to be dumb.

How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.

Here comes 40. I'm feeling my age and I've ordered the Ferrari. I'm going to get the whole mid-life crisis package.

But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.

I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.