Radio Quotes

It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.

Giving people what they want isn't just good radio; it's also the right way to run a country.

Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.

It's so amazing, standing on the corner -this happened in Washington, D.C. - and somebody comes by in a Cadillac and you hear 'Manic Monday' on the radio, and you don't even know this person, and they're listening to it and singing along with it. Wow! Blows your mind.

Talk radio has almost ruined the sports fan.

I consider myself very lucky indeed to have had the career I have. I listen to the radio now and you can't tell artists apart.

I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are - from whatever it is, whether TV or a live show, I feel like they don't quite connect the dots.

I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.

A few years ago, one of our singles got beaten out by Better Than Ezra. The label could only have one band at a time being taken to the right people at radio, and they opted for Better Than Ezra instead of us. Who knows.

When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.

Any album that I ever put out I'm going to send it to country radio first.

All I wanted to do when I was a teenager was get dropped off at a radio station - one of the ones I listened to - and watch how the shows worked. After a point it was about showing up and driving people crazy, driving the van to promotions and sneaking on the air.

The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills.

Every evening, I come home tired and have just enough energy to fill out the endless tax forms, to pay bills, not to let my house neglected and to hear the radio concert for an hour.

You may not like the humor, but that is why every radio has an on-off button.

And looking at today's music scene, I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.

I'm not really sure what I'd like to see people doing more of online, but what I'd like to see less of is the warning signs that not ratifying net neutrality is gonna cause two separate nets: one that the big dogs can afford to be on and the other a ghetto internet that no one goes on. Think FM vs AM radio, or cable vs broadcast TV.

But I think the only thing that annoys me about that is if I suddenly find someone on commercial radio or something like that, mimicking my voice or actions and trying to promote a product and pretending it's me doing it.

I'd love to get played on the radio, but it just doesn't happen.

Politics is developing more comedians than radio ever did.

It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.

I grew up on radio, not TV.

I've got about 27 gigs right now. I've got radio, I've got television, I've got The Washington Post.

The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional.

The radio was my big influence. Comedy came from the instinctual feel I had for language.

I made two movies before The Police had a hit record: I did Quadrophenia and a film called Radio On.

The biggest deal for me was that all 24 winners are placed on the Billboard CD of the Year, which went out to 500 of the biggest Music Reps in the business, from radio and press to management and booking.

I'm running a radio station.

As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere - it is a lonely place. It's an isolated city in that respect because you're driving to places alone listening to the radio.

I'm not a big radio guy, I don't listen to whatever is the hip new thing.