Poem Quotes

A poem can have an impact, but you can't expect an audience to understand all the nuances.

If you can say the lyrics almost like a poem and they stand up, that's a great thing. Some songs have great lyrics and I don't like the melodies, and vice versa.

From the reader's view, a poem is more demanding than prose.

Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.

It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.

Ordering a man to write a poem is like commanding a pregnant woman to give birth to a red-headed child.

I think that I shall never see a poem lovely as a tree.

The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

We took Beowulf, the epic poem in Old English, and put it right together with John Gardner's contemporary retelling. If you bring it into today, we really feel that it has something very fresh to say now.

Well, it's a badge of honour for any self-respecting poet to be criticized by Auberon Waugh. But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.

It seems to me that readers sometimes make the genesis of a poem more mysterious than it is (by that I perhaps mean, think of it as something outside their own experience).

I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it.

The moment of change is the only poem.

But most commonly, it's one poem that I work on with a lot of intensity.

A poem is learned by heart and then not again repeated. We will suppose that after a half year it has been forgotten: no effort of recollection is able to call it back again into consciousness.

We know the particular poem, not what it says that we can restate.

I think of my peace paintings as one long poem, with each painting being a single stanza.

This creature of the poem may assemble itself into a being with its own centrifugal force.

I am still interested in the long or serial poem, but have written a few smaller things. I may start sending to journals again in a year or so... that's about it.

A poem is a naked person... Some people say that I am a poet.

I think you can have the greatest lyrics in the world and if it doesn't have the best tune in the world it will suck. I mean if the music wasn't important it would just be a poem.

There is no scientific discoverer, no poet, no painter, no musician, who will not tell you that he found ready made his discovery or poem or picture - that it came to him from outside, and that he did not consciously create it from within.

Is there any purpose to translating poetry? A poem does not contain information of importance, like a signpost or a warning notice.

Klopstock was questioned regarding the meaning of a passage in his poem. He replied, 'God and I both knew what it meant once; now God alone knows.'

The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.

With me it's the whole thing, it's the conceit, the idea, what the poem is saying. And it goes on just as long as is necessary to say what needs to be said.

When Keats says: 'Axioms in philosophy are not axioms until they are proved upon our pulses', what he means is that we don't necessarily believe what a poem is saying if it comes out and tells us in an absolutely head-on, in-your-face way; we only believe it to be true if we feel it to be true.

In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem.

Like the sand and the oyster, it's a creative irritant. In each poem, I'm trying to reveal a truth, so it can't have a fictional beginning.

You don't make a poem with ideas, but with words.