Pictures Quotes

I just have friends that don't sell their pictures to newspapers.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

But surrealism is present in most of my pictures.

During the Cold War, we gathered information by listening to the Soviets, taking pictures of the Soviets, and we allowed our human intelligence to decline.

My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.

I like to read and write and take pictures and bike.

All my pictures are built around the idea of getting in trouble and so giving me the chance to be desperately serious in my attempt to appear as a normal little gentleman.

I get a lot from all young people. I make movies for young people. If I made pictures for people my age, no one would see them. I hang with young people all the time.

The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.

There's one site where you can buy pictures of me for five bucks a pop.

I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.

It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.

What critics call dirty in our pictures, they call lusty in foreign films.

I don't act, anyway. The stuff is all injected as we go along. My pictures are made without script or written directions of any kind.

That is one reason so many of the Japanese pictures are not good, they cannot spare all the footage necessary for that bow, which is repeated over and over again.

It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.

You know it has to do with Kelley and drugs, and me... and there's like, what is it? I didn't read it. That's my thing. That's what I do, I don't read things if I don't think they're going to be good. I don't even look at the pictures.

Novelty is always welcome but talking pictures are just a fad.

Looking back across the years, so many pictures flash on the screen of my memory that just as I begin to see one clearly, another slides in, blotting out the first, itself to be pushed aside by the next and the next and the next.

Pictures must not be too picturesque.

I don't hate myself anymore. I used to hate my work, hated that sexy image, hated those pictures of me onstage, hated that big raunchy person. Onstage, I'm acting the whole time I'm there. As soon as I get out of those songs, I'm Tina again.

He was so excited. He cut out pictures of these landscapes and neighborhoods and kind of really tried to give you a feel of the movie. It was kind of cute but at the same time it really showed his enthusiasm for it.

I think people remember pictures not dialogue. That's why I like pictures.

'What is the use of a book', thought Alice, 'without pictures or conversations?'

I don't know really. I've always been interested in the small picture instead of the big one, and I've always been interested in relationship pictures.

An empty canvas is a living wonder... far lovelier than certain pictures.

I'd love to do historical pictures more, but I don't know if I can.

Virtually always I get my best pictures when everybody thinks the shoot's done.

At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.

I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.