Novels Quotes

I hated historical novels with fluttering cloaks.

I write novels and other things.

The 'Barnaby' books were always intended to be graphic novels.

I think, above all, the characters in my novels feel universal to the readers.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

I used to get criticized for putting food in novels.

Well, to be honest I think I'm a better short story writer than a novelist. Novels I find very hard, hours and hours, weeks and weeks, of conscious thought - whereas short stories slip out painlessly in a few days.

Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.

I do not use profanity in my novels. My characters all go to church.

Of the first seven novels I wrote, numbers four and five were published. Numbers one, two, three, six, and seven, have never seen the light of day... and rightly so.

The world is full of novels in which characters simply say and do. There are certainly legitimate genres in which this is sufficient. But in real and lasting writing the character is.

On that other novels followed: but I still wrote fairy tales and dreamy poems of another world.

Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.

It's with bad sentiments that one makes good novels.

I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.

But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.

If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.

I read all of Ayn Rand's novels when I was 17.

Aphorisms are bad for novels. They stick in the reader's teeth.

My second book, Follow Me Down had some success, got good critical notices, went into a second printing and things like that, but Shiloh was by far the most successful of those first five novels.

I have assiduously avoided calling my books novels.

After these three novels I gave up writing novels for a time; I was dissatisfied with romantic doom, yet didn't see much way around it.

At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.

At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.

I have written every one of my novels to convince somebody of something.

Within my own life, I read all the beloved novels by lamps of vegetable oil; I saw the Standard Oil invading my own village, I saw gas lamps in the Chinese shops in Shanghai; and I saw their elimination by electric lights.

I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.

I started out as a poet. I've always been a poet since I was 7 or 8. And so I feel myself to be fundamentally a poet who got into writing novels.

I'm not embarrassed about the novels I wrote when I was younger, but I couldn't write them today because of my religion.

I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.