Quotes By Nate Ruess

If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.

My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the 'Pinkerton' tour, and 'Pinkerton' is the reason why I'm doing this.

Lyrics are so important, I hate every second of writing them, but it's something I take great pride in when it's finished.

I try and get about eight hours of sleep every single night. And I like to think that I drink more water than anyone, ever.

Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!

Even now, when I try and think of band names just randomly, I'm so thankful that 'fun.' is the name of the band. I never really think twice about it. It is so simple and so easy.

Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.

I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.

I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.

It's interesting to feel the pressure of having to be outgoing, because I think in general, as a human being, I'm pessimistic and introverted. But, it's cool, because it's a whole different side of me, and I impress myself. Even at times when I think that there's no possible way that I can be engaging, I'll suddenly pull it out and impress myself.

I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.

Lyrics have become so dumbed down nowadays. People don't want to have to think about lyrics anymore, they just want to be told something. Until these great things started happening with us, I'd really given up on reaching people like that.

We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.

I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.

I don't want to be known for anything other than writing songs.

I think that I always thought that if my uncle was on Broadway, then I must inherently have a good voice. I don't think that for a while I did. Eventually, out of sheer will of never wanting to get a job or go to college, I found my way into doing music full-time.

It's important that I get time to run, to just go for a jog for about 30 minutes. It helps with my voice, but it also kind of gives me a little bit of time to myself - and you get to see a city.

I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.

I was signed at 19 years old to a major label, and dropped by the time I was 22.

In a city like New York, any night can be completely different, even in a subtle way.

If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.

I always wanted to be a singer, but none of my friends thought I could sing.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.

But as long as you're creating the art you want to create, if people start liking you, you shouldn't have to apologize. You want your stuff to be heard by as many people as possible.

I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.

A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.

As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.

Running in Central Park is my favorite thing to wake up and do. I have my own specific path that I have to run every single time. There's a little bit of OCD involved, but I love it.

I don't have a Twitter or a Facebook, but that doesn't mean I'm any more productive than the rest of the world.