Quotes By Anne Tyler

While armchair travelers dream of going places, traveling armchairs dream of staying put.

My family can always tell when I'm well into a novel because the meals get very crummy.

At most I'll spend three or four hours daily, sometimes less.

Ever consider what pets must think of us? I mean, here we come back from a grocery store with the most amazing haul - chicken, pork, half a cow. They must think we're the greatest hunters on earth!

It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.

For me, writing something down was the only road out.

In real life I avoid all parties altogether, but on paper I can mingle with the best of them.

I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin.

I expect that any day now, I will have said all I have to say; I'll have used up all my characters, and then I'll be free to get on with my real life.

It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away.

I think it must be very hard to be one of the new young writers who are urged to put themselves forward when it may be the last thing on earth they'd be good at.

If I waited till I felt like writing, I'd never write at all.

The hardest novel to write was Dinner at the Homesick Restaurant.

I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.

I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns.

For my own family, I would always choose the makeshift, surrogate family formed by various characters unrelated by blood.

My stories are never quite good enough.

I can never tell ahead of time which book will give me trouble - some balk every step of the way, others seem to write themselves - but certainly the mechanics of writing, finding the time and the psychic space, are easier now that my children are grown.

I forget a book as soon as I finish writing it, which is not always a good thing.

People always call it luck when you've acted more sensibly than they have.

I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.

And I am interested in the fact that class is very much a factor in America, even though it's not supposed to be.

None of my own experiences ever finds its way into my work. However, the stages of my life - motherhood, middle age, etc. - often influence my subject matter.

I save the best of myself for novels, and I believe it shows.

My writing day has grown shorter as I've aged, although it seems to produce the same number of pages.

I would advise any beginning writer to write the first drafts as if no one else will ever read them - without a thought about publication - and only in the last draft to consider how the work will look from the outside.

When I'm working on something, I proceed as if no one else will ever read it.

It's true that it's a solitary occupation, but you would be surprised at how much companionship a group of imaginary characters can offer once you get to know them.

I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.

She worded it a bit strongly, but I do find myself more and more struck by the differences between the sexes. To put it another way: All marriages are mixed marriages.