Movie Quotes

And I did a movie called Basil with Jared Leto and Christian Slater.

I don't think I ever went down that movie star path. I always enjoy taking a 90-degree turn from the last thing I did.

When you go to a movie, it's about what's not being said. I tried to bring that to Greg Sumner. It was always about what's not being said.

But I didn't know much about directing a movie.

When I found out I had to take off my shirt in 'Teen' movie, I panicked and hit the gym. I was like, 'It's going to be on film, documented, for my children to see. I can't be 140 pounds. I need to put on a little bit of muscle.'

I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.

When I went back to New York with somewhat of a name, they didn't want movie actresses.

Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.

I need to go someplace faraway that doesn't have telephones and doesn't have a record player and doesn't have movie theaters and people walking down the street in order to not do anything.

One very important element for me to make a movie is, it has to be unique and different from any other.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

I was working at a restaurant, I booked the role in 'Twilight,' put in my two weeks' notice, got fitted, flew to Portland, filmed, and then it started getting hype. That helped me get my foot into certain doors before the movie even came out.

It's a lot easier, I think, to be an actor in a movie than to spin a joke on a sitcom.

I think the family movie is very important to everybody right now.

When we were filming 'Twilight,' we didn't expect anything. We were just filming a movie that we wanted the fans to enjoy. And then it kinda just blew into this whole other world.

When people protest and are upset with a movie, it becomes a big hit. They hated Passion of The Christ, it worked out pretty well for the box office. So let's get that going.

Actually just recently I came up with that idea, watching the movie 'Legally Blonde' and I was like, 'cool, that's something I want to do.

I don't like everybody knowing what I'm doing, unless it's related to a movie. I don't like speaking to the press. I never did.

I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.

You've got to keep taking certain risks, because my priority is in acting, it's not in movie stardom.

Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.

I love a real-life, movie moment in living color.

After Zorro, people spoke Spanish to me for ages. I'm Welsh but that movie instantly gave me a new ethnicity.

So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.

I think if my daughter was interested in acting, I would find ways for her to act in theater that has to do with her school or a kids' improvisational thing. There are ways to do it where you're not on a movie set with 60 adults, which I loved at the time, but as a parent, I don't know that I'd be dying to put her in that spot.

When I was a child, I'd see a movie, I took it for what it was, I enjoyed it. And if I believed it I would tend to be more interested in knowing more about it.

One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.

Rita Hayworth in Gilda... there's not a shot of her in that movie that isn't gorgeous.

I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.

Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17.