Characters Quotes

Example has more followers than reason. We unconsciously imitate what pleases us, and approximate to the characters we most admire.

I really enjoy the writing process because I can do it from my house. I can create these characters and take them in the different directions that I want to take them. You have a lot of freedom as a writer.

Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.

I hate the crazy, neurotic characters beyond a certain point.

I'd like to play characters who are older - I don't want to be playing 14-year-olds too much longer.

And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.

I understood, through rehab, things about creating characters. I understood that creating whole people means knowing where we come from, how we can make a mistake and how we overcome things to make ourselves stronger.

There's so much of, it could have been a very critical examination of what happened, and really the emotional lives of the people involved sort of carry the characters forward.

It always takes awhile to find out who the characters are.

Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.

I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.

The characters are that vague TV high school age, but they'll be in high school as long as we need them to be.

Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.

A lot of the main characters in horror movies are outsiders as well, so that outsider syndrome reverberates within horror fans and geeky collectors. It's kind of a rallying call that brings fans and collectors together who are a little socially retarded, maybe.

As a child, I was a clown. I didn't hesitate to make a fool of myself and I would love to completely take on wacky characters.

Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.

Men are limited by the knowledge of their minds, the worth of their characters and the principles upon which they are building their lives.

Magneto has a whole lot of complexity to him. Emotionally, he's coming from a very damaged place. I like the ambivalence of it. I want the audience leaving the theater wondering, asking the questions themselves rather than being spoon-fed like a lot of these super-villain characters.

Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.

A writer should bury his thoughts deep and convey them through the characters in his novel.

A lot of male actors are method actors and they become the characters which they both were.

But I guess I like playing flawed guys 'cause it gives a place for the characters to go.

It's kind of ironic that the two sports with the greatest characters, boxing and horse racing, have both been on the decline. In both cases it's for the lack of a suitable hero.

I was always inventing characters and making up stories.

In the music industry, you meet some not very nice people, some very strange characters.

In my books, I never portray violence as a reasonable solution to a problem. If the lead characters in the story are driven to it, it's at the extreme end of their experience.

But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

Because they feel that without them telling you to do this, you wouldn't have had the characters that you have, you wouldn't have the book that you have.

Also, it's risky to try to duplicate earlier success. Magician had a certain charm to it, mostly due to my choice of lead characters, that I would be hard put to duplicate.

To create characters, one must build background. And one of the tools we use is improvisation.