Writing Quotes

When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.

I don't believe in writing anything that I don't know about or haven't researched about personally. I like to transport the reader to places, and in order to do that I have to do the research.

If you're actually allowing your creative part to control your writing rather than a more commercial instinct or motive, then you'll find that all sorts of interesting things will bubble up to the surface.

And music has always been incredibly cathartic for me, whether it's writing my own stuff or singing other people's music; it's very freeing.

So I find the fascination, the love, the incredible skill and everything to do with acting, writing plays, and doing them, just darling. Lovely. I love actors.

Courses on historical methodology are not worth the time that they take up. I shall never give one myself, and I have observed that many of my colleagues who do give such courses refrain from exemplifying their methods by writing anything.

The biggest sacrifice to me is to not be in an atmosphere where I can keep writing and moving forward.

The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.

You know, the process of making a documentary is one of discovery, and like writing a story, you follow a lead and that leads you to something else and then by the time you finish, the story is nothing like you expected.

I was an angst-y journal writing kid.

When we finished the tour we had been writing together for a year. We moved forward from there and have just now finished our record. We're having a new record out in the Spring.

There's something really nice about writing something on Wednesday and watching it being performed live for a studio audience on Tuesday. You never really get that with novels.

When I was in college, I used to write little ditties and short stories and poetry for my friends. Writing a book is another thing. It is so much different from my traditional day of dirty fingernails and greasy hair and hot pans.

Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.

I've read somewhere that when you're writing, you should stop while you're doing well so you always want to go back to work.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

There is an art to writing, and it is not always disclosure. The act itself can be beautiful, revelatory, and private.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

Without a great man writing and directing for me, I realised I was a mediocre movie star at best.

The desire to write grows with writing.

I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.

You have certain writing tools but generally creating something from nothing makes one quite mad and Cynthia and I are quite mad you know.

I went to Marion College for writing and I was kicked out of the writing school. I was asked to leave the writing program because I was corrupting the other students.

I wanted to write stories for myself. At first it was purely an aesthetic thing about craft. I just wanted to become good at the art of something. And writing was very private.

This means I must pay close attention to the writing, but equally so to the scientific background - which sometimes means doing fairly involved calculations.

When I was writing my column, I would almost always be recognized when I was in a restaurant, even if I was reviewing it and had booked under a fake name, so free stuff would start coming out of the kitchen on a conveyer belt, fantastic wines would be opened at my table. Now I can't even get a reservation on the pizza joint on the corner.

When I was writing for children, I was writing genre fiction. It was like making a good chair. It needed four legs of the same length, it had to be the right height and it had to be comfortable.

There are three rules for writing a novel. Unfortunately, no one knows what they are.