Writer Quotes

The writer must earn money in order to be able to live and to write, but he must by no means live and write for the purpose of making money.

No one inspired me to write, but writer Harlan Ellison terrified me into getting published.

I have been working in television for quite a long time. In television, the writer is the constant, and the director is rotated in and out. I am very use to dealing with people's methods. And perspectives.

I wasn't always a writer. When I went to college and majored in fine arts, I was a painter. Then I was a stay-at-home mom.

As a writer, one is busy with archaeology.

The best author will be the one who is ashamed to become a writer.

The first essential in writing about anything is that the writer should have no experience of the matter.

I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.

People are always saying that I must have been the class clown, with all these voices. No, I was way too shy to be the class clown; I was a class clown's writer.

When I was a little boy, they called me a liar, but now that I am grown up, they call me a writer.

I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.

Some literary types subscribe to the notion that being a writer like Salinger entitles a person to remain free of the standards that might apply to mere mortals.

As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.

After I left the White House, I kept a foothold in the business of American politics; as a talk-show host, analyst, commentator, speechmaker, and occasional writer. I was no longer a practitioner, but I was still a partisan, a Democrat, a blue-stater through and through.

Listen to advice. You don't know how many writer's conferences I've taught at where at least half the audience fights all the conventions of the field.

I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.

A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

When a writer admits that he has an affection for something which he has written, it is high time to pray for his soul.

It's a dead give away of an inexperienced writer if every character speaks with the same voice.

The greatest sin for a writer is to be boring.

I now can be sure that, once I start writing a book, I'll be able to finish it. I've also become more assured about my 'voice' as a writer and being able to keep the characters true to themselves.

Your first duty as a writer is to write to please yourself. And you have no duty towards anyone else.

I feel like 'Next To Me' is a great introduction because it's a simple song that has a simple message for me. I wanted to introduce something that lyrically I'm proud of and introduces me both as an artist and as a writer.

Never write anything that does not give you great pleasure. Emotion is easily transferred from the writer to the reader.

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.

Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

The hard part of writing at all is sitting your ass down in a chair and writing it. There's always something better to do, like I've got an interview, sharpening the pencils, trimming the roses. There's always something better to do. Going to a writer's club?

I'm the luckiest writer on earth.