Quotes By Umberto Eco

It comes down to a question of attention: it's difficult to use the Net distractedly, unlike the television or the radio.

People are tired of simple things. They want to be challenged.

Better reality than a dream: if something is real, then it's real and you're not to blame.

The comic is the perception of the opposite; humor is the feeling of it.

As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.

Creativity can only be anarchic, capitalist, Darwinian.

Perhaps I am not as wise as I like to think I am.

Fear prophets and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.

Every European goes on the streets and sees medieval churches. Not if you live in Indianapolis. The most exciting letters I received were from people in places like that.

There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.

The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.

Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.

My grandfather had a particularly important influence on my life, even though I didn't visit him often, since he lived about three miles out of town and he died when I was six. He was remarkably curious about the world, and he read lots of books.

But Italy is not an intellectual country. On the subway in Tokyo everybody reads. In Italy, they don't. Don't evaluate Italy from the fact that it produced Raphael and Michelangelo.

As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.

In the United States there's a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.

My father was an accountant and his father was a typographer.

Translation is the art of failure.

I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.

The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.

I don't see the point of having 80 million people online if all they are doing in the end is talking to ghosts in the suburbs.

We like lists because we don't want to die.

There are more people than you think who want to have a challenging experience, in which they are obliged to reflect about the past.

When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.

After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.

How does a person feel when looking at the sky? He thinks that he doesn't have enough tongues to describe what he sees. Nevertheless, people have never stopping describing the sky, simply listing what they see.

I developed a passion for the Middle Ages the same way some people develop a passion for coconuts.

A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.

Nothing gives a fearful man more courage than another's fear.

We have a limit, a very discouraging, humiliating limit: death.