Viewer Quotes

I'm as anxious as any viewer would be to see what Temple is going to do next. All I know is that in the second half of the season, he's going to have more sexual tension developing. And it's a great cast - they're all Broadway actors except for me. I aspire to that.

All we do is bring the debate from both sides, and let you as a viewer decide where you want to end up on the issue. That's very important. That's exactly what happens in 'Redemption Inc.'

One of the reasons why you like to do your own drawings is, your style changes over time. And there's something about that that keeps it fresh to the viewer.

Right right, because up to that point I had not been a viewer, and I didn't know alot about the show, it was all new to me and the cast members were wonderful!

As a viewer, my own work elicits strong emotional reaction from me.

The hidden child wants to be able to participate and to co-create in art, rather than being simply an admiring viewer.

As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.

At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

The power and appeal of Documentary is the way it alters and plays with the way the viewer relates to and understands the subject.

One doesn't make art for other people, even though I am very concerned with the viewer.

As a viewer of television if there's something I don't like or find offensive, I just don't watch it.

I wanted to write a story that demanded the viewer's attention.

What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.

Film fixes a precise visual image in the viewer's head. In fiction, you just hope you're precise enough to convey the intended effect.

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

I hope they see the genuine side of me, of my music, of my voice. I hope that they feel me. I hope that what I sing and what I say really gets across to the viewer because everything that comes out is true.

Singing shows are fun. Every viewer has their own opinion. We all know whether we think a voice sounds good or not. There's a play-along element. All these shows can be supported.

I don't believe in using too much graphic violence, although I've done it. It's better to be suggestive and to allow the viewer to fill in the blanks in their minds.

In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.

I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.

The Satellite Home Viewer Improvement Act expires at the end of this year. Thus, we must act quickly to ensure our constituents continue to receive the services they enjoy.

So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

The better the coverage, the more discriminating the viewer.

I think it's a little simplistic to explain a work through the psychology of its author. In other words, that Haneke has emotional problems, so I don't have to take his films seriously. By using this argument, the viewer retreats from the challenges of the film.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

The fear for a network is the viewer gets tired of you. Not that you lost any credibility, but they get tired of you.

I think if the movie has resonance and stimulates the viewer to talk about it, you can have as large an audience as you want. The most important thing for me is that the movie exists. And that's success enough already.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

I think by laying it out for the viewer I'm avoiding the issue of bias.