Text Quotes

I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.

I was dating this guy and we would spend all day text messaging each other. And he thought that he could tell that he liked me more because he actually spelt the word 'YOU' and I just put the letter 'U'.

The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form.

Anyone who teaches knows that you don't really experience a text until you've taught it, in loving detail, with an intelligent and responsive class.

I have lots of brothers and sisters, two of whom are younger than myself, so I rely on my phone, text messaging or e-mailing to stay in the loop and communicate when I'm away for big chunks of time.

It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.

It's funny how intimate it feels to get a text.

Do not separate text from historical background. If you do, you will have perverted and subverted the Constitution, which can only end in a distorted, bastardized form of illegitimate government.

I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.

Unlike then, the mail stream of today has diminished by such things as e-mails and faxes and cell phones and text messages, largely electronic means of communication that replace mail.

Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.

We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.

The occasion of this sadness is expressed in a word, but must be considered in many more, as being the principal concernment both of the Text and Time.

The first forty years of life give us the text; the next thirty supply the commentary on it.

If there's ever a place where you can't argue that you can put the facts over here and the text over there and see if they fit, it is surely in anthropology.

My general working style is to write everything first with pencil and paper, sitting beside a big wastebasket. Then I use Emacs to enter the text into my machine.

Acting doesn't bring anything to a text. On the contrary, it detracts from it.

I text my girlfriends. I look at Facebook. I check my e-mail. If I'm away from the news cycle more than a few hours, I feel out of touch.

The average American teenager sends or receives 75 text messages a day, though one girl in Sacramento managed to handle an average of 10,000 every 24 hours for a month.

When I speak at my local church, which I try to do 35 to 40 times a year, I try in every lesson to take the Old Testament text or New Testament text and apply them to what is happening to me or how that applies to the audience that I'm teaching in a modern, fast-changing, technological world. I use headlines, interfaith and that sort of thing.

I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.

Given the devaluation of literature and of the study of foreign languages per se in the United States, as well as the preponderance of theory over text in graduate literature studies, creative writing programs keep literature courses populated.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.

Then one day I thought it would be wonderful to make a whole book, to make my text and my drawings together, and that's how I started doing children's books.

We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.

When you work on a text of a lesser quality, as the interpreter or the delivery person, you are obliged to try to fill it out as you see so many people do in lesser work.

People aren't used to thinking of cultural forms spreading out across the full range of formal interactions - or what is called the "text" in literary terms.

People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.