Stories Quotes

I'd love to do a whole series of stories and have them collected into books.

There is no way of writing stories that I haven't done.

I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.

Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.

One likes to think one grows as a writer as one ages, else all you get is an "old" young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.

Getting on stage is a bonus, that's my therapy, that's when I can tell stories and it all makes sense.

Generally, Hollywood makes the same stories over and over. I've never wanted to do the same thing twice. If a script doesn't surprise me in some way, I simply can't commit to the project.

We tell stories. We talk about statistics. And in 1978, we added an element of the show that gave it its heartbeat: the long distance dedication.

My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.

It's sort of what the Johnny and Devi stories are about, the idea of always being a slave to something.

I don't want to tell your story because you're a insensitive, self-centered moron. I've told a lot of stories about young people, and I always feel there's hope.

Not exactly but I get inspiration from stories which are unconventional.

That Happily Ever After is a great way to tell stories when you're young but eventually it loses its meaning because it's just not true.

After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.

I didn't know anything about writers. It never occurred to me they were regular people and that I could grow up to become one, even though I loved to make up stories inside my head.

There are very few really stark black and white stories.

Film is our literature, so we should tell stories that are apropos of our culture, in that we can learn something about ourselves.

Acting allows me to tell a lot of stories, you know start at the beginning, finish at the end, and tell everything in between. Modelling is just an image.

It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.

I was a visual artist primarily and a writer, even from a very young age. I wrote a lot of stories and poetry and... I had a desire to create always. And I always had a desire to show my work.

You have to pick the stories that you want to be involved with and the end game is you'd like to be a part of a hit. But I think your moral obligation is to follow your own heart.

Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.

The US military still blames the media for stories and images that turned the American public against the war in Vietnam.

I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.

I have heard repeated stories of meth users leaving their children unattended for days as they cook, use and then sleep off the intense effects of methamphetamine.

Animation had been done before, but stories were never told.

But to do it professionally is a quantum leap difference and my father had to be persuaded by these kind of Ivy League professors that I should go to the Yale Drama School, another one of the stories in there.

What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.

A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.

We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights.