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You sort of start thinking anything's possible if you've got enough nerve.

Well, you know, I have always had an issue with the whole weight thing with people in general because I happen to love how big women look. I mean, it's all a perspective. It's all an opinion, and I think sort of the Rubenesque, voluptuous body is a lot sexier than the boney bag of bones with fake everything.

When you're really close to someone, they can make fun of you a lot and get away with it. But they sort of poke you in all of the right places.

This sort of encouragement is vital for any writer. And lastly the publication of Touching the Flame, which was on hold for two years and went through a few publishers before finding a stable home.

I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.

Even though you were radiated doesn't mean you get to have that sort of power.

I haven't any sort of plans for the future but I reckon things will work out in some manner.

As much as I long for a sort of security and consistency sometimes, I do enjoy sort of being busted around. I really don't know what's happening sometimes next week, let alone this year.

A prohibitionist is the sort of man one couldn't care to drink with, even if he drank.

I just sort of go along and say what I think -and that's all you can do in life, really.

Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.

I do feel very strongly that this is one of the things which people need encouragement to sort out, because I have this very strong feeling that everybody is probably a genius at something, it's just a question of finding this.

It's sort of a mental attitude about critical thinking and curiosity. It's about mindset of looking at the world in a playful and curious and creative way.

So I turned these sort of deficiencies into a, a workable thing if you understand what I mean.

I am one of 40 grandchildren. What bothers me about the whole trust-fund thing is that it sort of presumes that everything is handed to you. And if there is one thing about my family that I do identify with, it is that everyone is extremely hardworking.

Apathy is a sort of living oblivion.

I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters.

I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.

So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

Everyone loathes his own country and countrymen if he is any sort of artist.

I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.

I would love to play the villain, but again, it sort of what happens in this industry.

One of them is already having some menopausal symptoms. I'm working on that. I'm giving them all little lines under the eyes, trying to sort of make them age gracefully.

I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.

And what sort of philosophical doctrine is thi - that numbers confer unlimited rights, that they take from some persons all rights over themselves, and vest these rights in others.

I don't like anything that's too confining. I'm sort of a control freak, so anything that makes me feel like I'm out of control is a bit uncomfortable. But you know how it is, sometimes it's good to live a little!

I'm susceptible to that sort of thing - to walls and flowers. You can probably get something more from a wall than a person sometimes. It's just put somewhere.

My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.

People feel that they're being required to meet all sorts of regulations and rules and requirements in their areas of work and MPs are not imposing those sort of restrictions on themselves.