Shooting Quotes

I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.

Currently I am working on another three books, doing a lot of magazine work, am shooting for fifteen stock agencies, plus my own photo library - all this keeps me quite busy!

I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.

Four months of preparation and about 12 hours of shooting turned into about 30 seconds of screen time.

I'm busy working on every aspect of my game - defense, shooting, rebounding - but I really want to become a better overall team player. Help my teammates become better players out on the court in order to win more ball games.

Some people talk about screen kisses being strange or uncomfortable. But I think that I got along with Anna well enough that it just happened; it was a fun day of shooting.

When I'm shooting a movie, I'm always in an invisible theater seat. I respect the fact that people have worked hard all week and want to go to the movies on the weekend and be entertained.

We put the Children to death... by throwing them overboard and shooting out their brains in the water.

Shooting this show is pretty intense. You lose your life. But I have no life, so it's perfect!

I got a series with the WB next year. We start shooting in July. It's going to be called Safe Harbor, and it's an hour show. It's a Spelling show and will follow 7th Heaven.

My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.

I'm not anti-fox hunting because, to me, shooting foxes is even worse and the results are horrendous.

A critic is someone who never actually goes to the battle, yet who afterwards comes out shooting the wounded.

When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.

We may yet work up to some serious shooting war, or maybe some acts of urban genocide committed with rogue nuclear weapons. But if that were the case, why would we call that "9/11"? If Washington disappeared in a mushroom cloud, we'd give that huge event a different name.

There are times when I'm driving home after a day's shooting, thinking to myself, That scene would've been so much better if I had written it out.

I fought in Korea, front line. I knew who the enemy were. The enemy were the people who were firing at me. And shooting at me.

I've always been really active. I grew up playing sports, so I'm always shooting hoops or throwing the football with my friends. I'm super-active in that sense.

Fortunately we've been shooting in North Carolina which means we're not in LA where you can hear people talking about you and you know so much about what's going on in the business.

For target shooting, that's okay. Get a license and go to the range. For defense of the home, that's why we have police departments.

The whole idea that the rescue was staged or the soldiers were shooting blanks, that's just obvious stuff. Why would you do that in the middle of a war? It's just crazy.

The first year we actually did a lot of night shooting and the writers weren't even allowed on location.

When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.

I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.

For me, shooting, editing, and scoring rely on rhythm.

I'm going to try to pull a Natalie Portman. Natalie went to Harvard while shooting 'Star Wars'. I don't know how she did it. I want to have lunch with her and ask her - that seems like a bunch of stress right there.

I don't like staying in hotels. I like to be in my own bed. San Diego as a city is really awesome. The only hard part of it for me is that I'm away from my family and my house. But as far as shooting down there, we get amazing locations, and the crew is really, really stellar down there. They are really fun.

Like anywhere, we had to make people understand that we were there with good intentions, and that we were there with respect. We started making contacts with the people in the neighborhood three months before shooting began, so that everyone involved was comfortable.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.