Saw Quotes

I was shocked cause I didn't even know that they made my jersey. I didn't know that they made it so fast, so when I saw it I was like, I had to look three times and I was like, 'Did they customize that?' And then I saw a couple of other ones and I was like, ok, they must've made them overnight or something.

No, I am a crier and if people ever saw me privately they would be shocked at what a bowl of mush I am underneath it all.

I took an acting class. After the first day, the teacher quit, so they said take another. When I saw 'How to be a Stand-up Comedian,' it resonated. I realized I'd rather make 200 people laugh than make one person cry.

In my case what happened next in 1999 was that I fell apart over that back nine. When I saw I was in genuine contention that year I felt like throwing up. That remains probably the most nervous I've ever been on a golf course.

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.

I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.

When the idea of 'Chopped' surfaced, it was originally meant to be taped at some guy's mansion with him and his crazy Chihuahua. A stuffy fellow in a tuxedo was to host, and the losing chef's dish was then fed to the dog! I am not kidding, I saw it! I think it is genius! Twisted, but genius!

Right from the beginning, I always strived to capture everything I saw as completely as possible.

I just saw the emotion in everything, so I got to feel everything that was going on and that I was viewing, but I couldn't think in terms of structure, which is the whole point of deep focus.

When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.

I never saw, heard, nor read, that the clergy were beloved in any nation where Christianity was the religion of the country. Nothing can render them popular, but some degree of persecution.

I never thought we'd catch him, and when I saw he was ready to drop I felt sorry for him. I wanted to show it's not true I'm trying to win it all. My goal is the Tour of Spain.

Growing up, I saw my dad do charity work for children with health issues. That had a profound effect on me.

I met Jack Bruce, one of my heroes, in a studio while doing some recording. England had just beat Scotland in a big football match and I saw Jack trying to break into this refrigerator in the lounge, drunk out of his brain, and I didn't know what to say.

The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.

We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities.

Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.

The cast was huge, but I never saw anybody.

And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.

I threw my cup away when I saw a child drinking from his hands at the trough.

In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me.

In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.

I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.

He's very concealed, Polanski. We became very close friends, but I don't think I ever saw him drop his guard. I didn't see him upset or anything like that, we just did the work.

If you write a movie for Roger Corman, it's going to get made. You saw it almost the next day.

I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad.

I was only in one of the John Hughes films, and I never saw the other ones. I didn't understand them. I kept hearing a really hip 40-year-old person talking in teenagers' mouths.

I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own.