Playwright Quotes

It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.

An actor without a playwright is like a hole without a doughnut.

You can't make a living as a playwright. You can barely scrape by.

As a playwright, you can cover a lot of waterfront without being able to hold your own against an expert in any of those areas. I have no illusions about that.

I was a writer. I just wasn't a very good one. I was lucky enough to have a playwriting teacher who told me that I'd be a better actor than I would a playwright.

Everybody gets a little dose of Shakespeare. He's the greatest playwright in the English language, but his politics are fairly square.

Almost every college playwright or sketch or improv comedian was sort of aware of Christopher Durang - even kids in high school. His short plays were so accessible to younger people and I think that was inspirational to me.

If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.

It's an odd mix, the life of a playwright.

I thought I wanted to be a playwright because I was interested in stories and telling stories.

A playwright lives in an occupied country. And if you can't live that way you don't stay.

I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.

One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.

I'm not a playwright.

The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.

It's a very tough time for the playwright. Broadway has become almost a musical comedy theme park with all these long-running shows.

I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.

Yes, I am a failed playwright. I had three shows on Broadway by the time I was 30. They all flopped, and I fled.

A skillful playwright might have a good time with the story of the assassination of President William McKinley, and especially with the three most flamboyant political figures involved: Mark Hanna, Theodore Roosevelt, and Emma Goldman.

Of course, you would have to be insane to hope your child grows up to be a playwright or poet. Given the odds, you would have to be quite cavalier about your children's future.

I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?

A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.

It was kind of enlightening to become a playwright.

I fell into playwriting accidentally, took some classes in it, and also took creative writing classes, but I really didn't expect it to be a career because I didn't believe there was a way to make money as a playwright without being lucky and I didn't feel particularly lucky.

I am a better novelist than a poet, playwright, or essayist.

A conventional playwright tries to tell you more about the characters than they know about themselves.

David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.

For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.

I pray to be of service to the playwright, the audience, the other actors and my character.

But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.