Photographer Quotes

When you're modeling you're actually acting for the camera and the photographer. It's more fun, too because there are no lines to memorize.

Every other artist begins with a blank canvas, a piece of paper the photographer begins with the finished product.

I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations.

I hope to stay unemployed as a war photographer till the end of my life.

My mom was a photographer and whenever they needed a baby for a modelling job, she'd stick me in front of the camera. That's how it started.

My first big job was an Abercrombie &Fitch campaign. But my mom wouldn't let me skip school for it, so I missed half of the shoot. When we got there, we realized Bruce Weber was the photographer; we knew we had made a mistake!

There are always two people in every picture: the photographer and the viewer.

A mad, keen photographer needs to get out into the world and work and make mistakes.

I'd very much like to create my own style as a photographer, even if it's just for myself.

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.

What is right? Simply put, it is any assignment in which the photographer has a significant spiritual stake... spiritually driven work constitutes the core of a photographer's contribution to culture.

I was in Florida with Burt Stern, the photographer who shot Marilyn Monroe on the beach with a sweater, and we smoked a joint. The bathing suit kept coming off in the water, and I just ripped it off. I was very comfortable being naked.

When people ask how have I kept on top, I have to say with the help of every photographer, make-up artist and hairdresser I've ever worked with.

My mother had taken me to photographer Paul Hesse, who used some of my pictures on magazine covers.

A good photographer can make you look incredible, even when you're not feeling very sexy.

That's true, because I'm a photographer now.

A completely disrespectful photographer was asked to stop taking photographs, and then said, 'I've got what I want. What are you going to do about it?' How would you feel if somebody walked up and started taking your photograph? I don't think you'd be very happy.

No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.

The painter constructs, the photographer discloses.

I did some artistic nudes when I was I 8 with a French-Canadian photographer while I was modeling. They were beautiful shots, and they were not about nudity.

I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

I hope to be a producer, a musician, a painter, a photographer - I'm going to push myself to do as many things as I can and see where it goes.

Digital art software has empowered both the painterly side of photographers, and the photographer side of painters.

Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.

And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.

I realized I didn't want to be a photographer. I gave it up, but I still worked that job in the restaurant and I found myself constantly hanging out in the kitchen.

Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.

A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.

I don't think at that time I realized how important it was and how important it was for me to be here and carry on that legacy in our family of being a photographer.