Opera Quotes

When something like that happens, people want to try to find some dirt and make it more of a soap opera. But I think we both walked away with the door still open, if we want to do something together again. So yeah, I would call it a friendly break-up.

I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.

I want to reach as many people as possible with the message of music, of wonderful opera.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

In no instance is there to be a musical or opera of Inherit the Wind because it doesn't sing. It's an intellectual play.

Opera happens because a large number of things amazingly fail to go wrong.

No good opera plot can be sensible, for people do not sing when they are feeling sensible.

Opera? Just what the world needs: more fat women screaming.

Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.

I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.

There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.

My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.

My dad became a soap opera actor, and I was an extra in a skating rink scene on the soap. I didn't audition. It was nepotism all the way.

A great opera house isn't run by a director, but by a great administrator.

It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.

Many years ago I was in another soap opera called The Newcomers which was on twice a week for three years. I really don't think I could do another stint like that again.

Opera is one of the most important art forms. It should be listened to and appreciated by everyone.

I'd love to come to Australia. I'd love to walk about the Sydney Opera House.

Going to the opera, like getting drunk, is a sin that carries its own punishment with it.

I wasn't cut out to be an opera singer, but it was a nice fantasy for a teenager growing up in Hungary during the Stalinist era.

I've never been to the opera; I've only seen opera on DVD.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.

Opera is really fun.

Later, I even appeared in a Rock Opera with Richard Gere.

Grand opera is the most powerful of stage appeals and that almost entirely through the beauty of music.

'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable.

A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.

I enjoy all forms of music - pop, classical and opera.

They're getting me involved in intrigue again, and I think it follows a classic formula in a soap opera.