Onto Quotes

No, moral conscience is one thing, the law is another. We have to hold onto this difference.

People see you as an object, not as a person, and they project a set of expectations onto you. People who don't have it think beauty is a blessing, but actually it sets you apart.

Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.

The two championship contenders, Dario Franchitti and Will Power, are starting right next to each other in the middle of the grid. Honestly, if I can be fast enough early in the race to be able to get up there and latch onto those two, it will be pure entertainment. It's going to be a pack race, and you never know how that's going to turn out.

What a powerful thing to know: That one's own desires are mappable onto strangers; that what one finds in oneself will most certainly be found in The Other.

Another time factor is output: proofing and printing. That is, getting your work out of the computer and onto paper and having it satisfy you. It can be time consuming and expensive.

People say you have to work on your resentments. Yeah, no, I'm gonna hang onto them and they're gonna fuel my attack.

I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.

That is a lot of the reason I do what I do, to really spread the word and spread information and turn people onto different things they may not be, y'know, aware of. That is what Naked City is certainly about.

My feet are definitely more grounded than before. And I know that I'm not holding onto a dream. I'm holding onto my life.

And it really pisses Peter and Micky off when I get onto one of those tangents where I start to do humor.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.

In Hollywood, if you have any success, you have this fear: What do you have to do to hang onto it?

I wasn't interested in holding onto the evidence of things.

Everyone's projecting onto you, or you feel like everyone is judging you. I feel like I'm being judged a lot of the time. You become really self-conscious.

There's an idea about who I am that's eternally projected onto me, and then I almost feel like I have to fulfill that role. Even when things come out of my mouth, I want to be sure I'm saying exactly what I mean.

You have to keep your sanity as well as know how to distance yourself from it while still holding onto the reins tightly. That is a very difficult thing to do, but I'm learning.

I still don't consider myself as going Hollywood. I did a movie because the opportunity presented itself and it was fun. When everything stops being fun, I'll go onto something else.