Musicians Quotes

There have been many great musicians that, Clifford Brown is one great example, I mean he died very early, 25.

Session musicians kind of respected me because what I was talking about made sense. That all came from an education. Believe me, education does you more good. Maybe that's the reason I've been around so long.

Historically, musicians know what it is like to be outside the norm - walking the high wire without a safety net. Our experience is not so different from those who march to the beat of different drummers.

Of course, there are many, many musicians whose music gives me pleasure, but until I make contact with them, musically or personally, I never assume that anything wonderful will happen.

I don't have to compete in the charts. I can just be myself as a musician, a songwriter and play with the musicians that I really love.

Orchestras are not used to playing the kind of stuff jazz musicians like to play. It requires a lot of rehearsal and recording time, so it's much easier to do on a synth or sampler. So, we came up with that idea.

I am constantly being told that I have been a big influence for many people, including other musicians.

The world must be filled with unsuccessful musical careers like mine, and it's probably a good thing. We don't need a lot of bad musicians filling the air with unnecessary sounds. Some of the professionals are bad enough.

There's Eddie's conviction and his lyrics and his ideals, and he can just rock straight out. His vocals are incredible. And we all are really competent musicians.

Whatever I do, I attempt to do it fully. I try, and don't always succeed, to be thorough. There are musicians who do not know their worth, and if they knew it at one time, it has eluded them. I know my worth. You try not to dwell in the past.

Like family, we are tied to each other. This is what all good musicians understand.

A lot of young musicians get the money at the wrong time. They get it for something they don't feel great about, and it'll make you feel so bad it'll destroy you and kill you.

I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question.

One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.

All the people I hung out with were musicians.

In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.

I'm quite ignorant about fashion and I'm colourblind, so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey, whom I first met in 2008 when I did a campaign for Burberry that featured musicians, artists, actors and sportsmen.

There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies.

I feel quite sad for the young musicians coming up because they may never get to pay their rent properly. It doesn't matter what the genre; nowadays, it's so much harder than it ever was.

I've been around jazz and jazz musicians most of my life.

I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.

So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary.

Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.

You should play with real musicians; the best music comes from real people interacting with each other.

When I was recording from '70 to '82, I always played piano and laid the tracks down. But I used to talk to the other musicians while the track was playing.

My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well known blues musicians.

If we perform the romantic repertoire we need more musicians.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I owe everything to the musicians I work with.