Little Quotes

I like directors who come on the set and create something that's a little dangerous, difficult or unusual.

I'm a little bit more unusual so I consider myself as the black sheep.

It is explained that all relationships require a little give and take. This is untrue. Any partnership demands that we give and give and give and at the last, as we flop into our graves exhausted, we are told that we didn't give enough.

Suffer little children and come unto me.

In my case Pilgrim's Progress consisted in my having to climb down a thousand ladders until I could reach out my hand to the little clod of earth that I am.

Dave Sim said in his latest thing of his, 'when you're on the right track, you'll know it, but until you get there, you have to believe you're on the right track'. Interesting little conundrum. It's not easy.

We never understand how little we need in this world until we know the loss of it.

I love Jules Feiffer. I didn't discover him until I was a little older.

I've actually thought very little about solo work up until just very recently.

I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.

Donald and I still really wanted to be together, but I was fighting to keep what we had privately, and once the world gets involved in your life, little by little it breaks it down until you forget what it was in the first place.

I started writing songs when I was 10. It was a natural way to express myself as a kid. It wasn't until I started listening to jazz, joined the choir and picked up a guitar that my little hobby became something far more serious.

I just meant as far as coming to the games on time; it was just like I was under the microscope, every little thing, it was like they were looking for me to come in here with my shoes untied.

We keep passing unseen through little moments of other people's lives.

The Term Paper Artist' represents two models of writing, one of the little boy bouncing his ball, generating stories for the sheer pleasure of it, and the besieged adult, writing to make a living, having to contend with a very competitive, very unreliable world in which public image counts.

The difference between reality and unreality is that reality has so little to recommend it.

A person can't have everything in this world; and it was a little unreasonable of her to expect it.

You have to be a little unreal to be in this business.

I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.

A little more movement of the defensive side of the ball, some rules that will be unnoticed, but a big rule will be allowing the jack linebacker to move out of the box sideline to sideline.

I actually love working with accents. I don't know, something about it unlocks something in me. It makes me concentrate on getting into character a little more, helps me find a focus.

Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.

See, unlike most hackers, I get little joy out of figuring out how to install the latest toy.

Unlike other peoples the United States found their origin in a deliberate act of corporate self-assertion, and ever since the Revolution every little American has been taught to associate himself personally with this creative act.

Unless artists can remember what it was to be a little boy, they are only half complete as artist and as man.

It's very little trouble for me to accomodate my fans, unless I'm actually taking a pee at the time.

We're not short of movements proclaiming that a different world is possible, but unless we can coordinate them into an international movement, capitalism just laughs at all these little organisations.

Individuals have little opportunity to get elected to Parliament under the label of the government party... unless they are in good standing with the Prime Minister and pledged to be cooperative.

The success of the second 'Austin Powers' caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.

Coming into the business, you'd pass through these little agencies until you got to understand what was happening in the business, unless you were really able to have a style strong enough to go directly to the publishers.