Format Quotes

I hope the BWF (Badminton World Federation) will seriously do something about the Olympic qualifying format or risk getting badminton dropped from the Games.

Black Books adheres to a more old fashioned, traditional sitcom format, which I think works, because in its own way, it's quite theatrical.

With comics you can put interesting and solid information in a format that's pretty palatable.

And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.

I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.

Since we made Shrek in the digital format, you actually can see it in its purest form digitally.

I like DVDs so much - it's such a better format than VHS.

But we also think that we've got more quite alot more support than any new format has ever had.

A lot of musicians have a tough time hearing what we're doing in a trio format.

We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.

I stumbled into this format for 'Last Call with Carson Daly' that I really like, inspired by cable and Dave Attell's 'Insomniac.' I love being out on the street.

The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.

I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.

The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of the novel hasn't since 1700.

So, in a sense, the verification piece is irrelevant to the format issue.

Over the last half century the television interview has given us some of TV's most heart-stopping and memorable moments. On the surface it is a simple format - two people sitting across from one another having a conversation. But underneath it is often a power struggle - a battle for the psychological advantage.

In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.

I want a nice picture book with 12 pictures - I do my best with that format.

As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.

As long as we are engaged in storytelling that moves the culture forward, it doesn't matter what format it is.

The world just does not fit conveniently into the format of a 35mm camera.

I wanted to play around with the format, really tear it to pieces and shake it up. For example, if Mitch saves someone from drowning, and that person then goes out and releases a virus that kills a million people. Imagine the moral implications of that.

One is to ensure that the war fighters and the intelligence analysts get the information that they need when they need it, in a format that's useful to them.

The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format.

The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.

It is relatively easy to design for the perfect cases, when everything goes right, or when all the information required is available in proper format.

The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music.

It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today.

Exclusive will not be published in book format.

Jazz is not the format where I want to stay, but it really is a starting point for me.