Film Quotes

I was thrust into a really lofty, enviable, but isolated position with 'Princess Diaries' in that I could carry a film before I really knew if I could act.

Film lovers are sick people.

I hate the Communists and have for many years and don't feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.

In all the movies I'm in love with someone in my head. There's always love in a film somewhere. It doesn't matter even if it's an action movie.

I'd like to do a number of films. Westerns. Genre pieces. Maybe another film about Italian Americans where they're not gangsters, just to prove that not all Italians are gangsters.

If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.

Once I've finished a film I just want to get on and make another one.

I think the record industry, by and large what's left of it, is still totally homophobic. I think it's much less so in the film industry now, but the record industry, it's always been a man's world.

'W.' is not necessarily a political film, but it was sort of a contrasting reality for me to get into George W. Bush as a character because of how I felt about his administration before I started making the film.

My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality.

For me the stunts are so cool, they're one of my favourite things when we're doing the film.

I'd always tried not to worry about the size of the role or the size of the film.

If you get a book which is 600 pages, you have to reduce it to a script of 100 pages. In two hours of film, you cannot possibly include all the characters.

I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.

Fate destined me to play Fagin. It was the part of a lifetime, and I was the only actor to be in the stage production and in the film.

You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eight, but no.

I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.

The very reasons sometimes that you make a film are the reasons for its failure.

I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.

Doing comedy for film is always a challenge because you are in the hands of the editor after the fact. I am hoping I can do some more soon, I enjoy doing comedy.

Regardless of what people ultimately think about Crazy As Hell, It's not the type of film that, ten minutes after seeing it, you're only focused on what you want to eat.

It's always good to have no expectations when you see a film. Then you can be pleasantly disappointed or surprised.

I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.

I've done panel shows, which I enjoy, and on those you're recording half-an-hour of TV and sometimes they film for two hours. But with 'Britain's Got Talent,' you're on camera for eight hours, with a large theatre audience watching - and in between you're being filmed for ITV2 as you eat your lunch.

Well, Barry, it's your film. So if it rises or falls, you're the man.

Many times when you make a movie, it feels like your biggest mistake. But even if a film isn't a hit, you shouldn't view it as a mistake.

I think if you look at the themes that are presented in the film, some are inherently social, and I think that any film which deals with the family is dealing with the smallest social unit in our society - and in a sense it is a question of scope.

I'm not interested in a film about golf but I am interested in golf as a metaphor.

Similarly, the Marquis is presented in this film as someone who would disturb the status quo and therefore must be kept imprisoned.

I never saw film stars at home. We had no maid, no cook, no swimming pool.