Episode Quotes

So why are we having to fight in 2012 against politicians who want to end access to birth control? It's like we woke up in a bad episode of 'Mad Men.'

I think the things I wanted answered have been answered by people in the know that we can't talk about, so I'm perfectly happy with how Chewie came to be where he is and what is going on in Episode III.

I pitched a storyline, and as far as I know it's been picked up. It's for the third and final episode I'm contracted to do. But I can't give any spoilers.

It would be thrilling if I could be boycotted or something. I think that's part of the thrill Madonna gets, when you know you've hit a nerve. But that doesn't scare me. To me what would be a lot scarier would be like appearing on an episode of 'Full House' or something.

When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.

We think wireless is going to grow tremendously. Do I think people are going to watch an episode of 'Survivor' on a 2-inch television set? I doubt it. But I do think somebody's going to go to a grocery store in the middle of a football game and watch that game.

I grew up in the suburbs of Chicago, and in spite of what most people might have expected from a young girl growing up deaf, life for me was like one long episode of 'The Brady Bunch.' Despite whatever barriers were in my way, I imagined myself as Marcia Brady skating down the street saying 'hi' to everyone, whether they knew me or not.

Well, I just finished starring in a new episode of the new The Twilight Zone television series.

I don't ever want to have a weak episode of television with my name on it.

With 'Twilight,' you have these massive tomes that you have to condense. With 'Penoza,' we had an eight episode Dutch series that, just for the pilot alone, I condensed three episodes. So, there's a lot of filling in and a ton of invention that has to happen to fill out eight episodes.

I can't say too much about it because I don't know a lot. We're not told what's in store for our characters until we turn up to shoot the episode. But it's fair to say that Betty and her son bring a brand new mystery to the street and they will be around all season.

'Vegas' was something very close to me. I had such a blast doing that. I'm still a little upset that we never really got to shoot that final episode. So many people were invested in it. I'll always be sad about that.

I'm of the opinion that life doesn't always tie up neatly at the end of the episode.

I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.

As far as I am concerned, the first episode of Buffy was the beginning of my career. It was the first time I told a story from start to finish the way I wanted.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

If you got the DVD you can see that George Lucas has taken that person out, as well as the voice, and we shot this scene when we arrived in Australia during the actual filming of Episode 3.

First of all, it was in my contract. I knew I would be directing an episode.

You had to be aware that I saw that photography was a mere episode in the history of the optical projection and when the chemicals ended, meaning the picture was fixed by chemicals, we were in a new era.

Chimps are very quick to have a sudden fight or aggressive episode, but they're equally as good at reconciliation.

For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.

Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.

I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.

We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year.

You can watch any episode you want and have a compelling story being told.

Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.

I wouldn't want to be in a Lisa episode. They're kind of boring. Maybe a Homer one would be better.

We're drinking my friend, To the end of a brief episode, Make it one for my baby, And one more for the road.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.