Draw Quotes

I love to draw people's faces. I do that all the time.

Lincoln had no such person that he could talk with. Often, as a result, he debated with himself, and he would draw up a kind of list of the pros and cons of an argument, and carefully figure them out, and he might test them in public.

One hair of a woman can draw more than a hundred pair of oxen.

I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.

Terrorists have failed to trigger mass conflict between Muslims and non-Muslims in Europe. We should draw strength from that fact.

I told them that free people always had to decide where to draw the line between their liberty and their security. I noted that the attacks would almost certainly push us as a nation more toward security.

Being able to draw means being able to put things in believable space. People who don't draw very well can't do that.

Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!

I am a partisan and artisan of Europe. But I draw the lessons of my experience in government.

I draw from the crowd a lot.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

What I would do is when I was younger I would draw in a sketch book something that happened in my life and then write a little something on the side about what happened or what the story.

We have to draw the line somewhere. I don't let my picture be taken. I'm on too many hit lists.

Time is the most precious element of human existence. The successful person knows how to put energy into time and how to draw success from time.

Even if you can't draw, do a little doodle or rip an illustration from a magazine - these visuals will help bring your idea to life.

Poets don't draw. They unravel their handwriting and then tie it up again, but differently.

I spend a lot of my time trying to draw the attention of actors to the minute and subtle details of human behavior, which was the sort of thing I was looking at when I was a neurologist.

I draw a weekly comic strip called Life in Hell, which is syndicated in about 250 newspapers. That's what I did before The Simpsons, and what I plan to do for the rest of my life.

Muse. Mu-se. It's a great thing, for someone to feel that they can draw inspiration from you. And I don't think it's necessarily a man 'taking' from a woman. It can go both ways, both can stimulate, excite.

I want to be as honest as I can about the things I've been through - the sorrows and joys, victories and defeats - and to use those experiences as a well to draw from. Hopefully, the songs that result from that kind of writing will be songs that mean something to others.

We can't return to the 19th century, draw up our drawbridges and say, we don't have anything to do with each other, Germany will not work with the Netherlands, the UK will not work with France. That's ludicrous. We are condemned to work with each other.

The reason they look the way they do is that the first drawing I did of them was really small so I didn't draw fingers, nose, ears, etc and this drawing had a certain appeal that I really liked.

It's not the act of arrogance to draw, it's humbling - you must use your God-given talent. And of all the people I sketch, in most cases I feel I have to measure up to the subject.

I really appreciate Frank Ocean's lyrical style, I appreciate the way that he can kind of draw you into this personal space, but it's still lyrical. It's almost poetic, in a way, but it's very personal at the same time.

After a month or so in St. Louis, we were looking around desperately for a way to draw a few people into the ball park, it being perfectly clear by that time that the ball club wasn't going to do it unaided.

When a man keeps beating me to the draw mentally, he begins to get glamorous.

He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that.

Experience seems to most of us to lead to conclusions, but empiricism has sworn never to draw them.

Opponents confront us continually, but actually there is no opponent there. Enter deeply into an attack and neutralize it as you draw that misdirected force into your own sphere.

And when we draw lines in the sand with regard to certain basic things that are vital to our interest and to the interest of democracy and our friends around the world, we have to be willing to back that up.