Director Quotes

I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.

Being nominated is a great thrill, and we like to say that all four of us were nominated, which means that our director, Anthony Page was nominated four times.

Good, bad mediocre or whatever it is, if a director wants me in his movie, I take it as a compliment.

I had a director who told me a story about a fan who had commented on how nice it was to see her sister laughing and how happy the show made her. I like to make people happy and make them laugh.

A film director has to get a shot, no matter what he does. We're desperate people.

Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.

Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique.

The way I see it, when I go out as an actor, it should be on a type of film I'm never going to do as a director.

One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.

I don't know a single collector or museum director who says: 'Oh, he's on a list, so I think I'll buy something of his.' The people who buy my art put a little more thought into it than that.

Your own barometer is all you have to go by, and often what makes a good director is knowing when not to say something. On occasions you can find yourself on a film set where the person who is wearing the director's hat is only trying to justify his position.

I rode it once, which was up the driveway in the opening credits of the show. I didn't know how to stop it. I actually nearly killed the director of photography, and I smashed into the sound truck.

I doubted that there were Communists hiding behind every corporation desk and director's chair.

One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.

I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.

I was taken to one place by a director, and he bought me a lap dance.

The first assistant director is just so important that the choice of that person is critical to the movie.

In a movie, you're raw material, just a hue of some color and the director makes the painting.

As a director he was not that interested in Vader.

I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.

There was a Russian director named Elem Klimov, who did his films during the communist days. They were constantly struggling with the authorities and to be allowed to express themselves. But he did one of the best war movies I've ever seen - it's called 'Come and See.'

It was weird because I was pregnant, throughout that so it was weird being a pregnant witch. I was in a really bad mood but luckily, because I sleep with the director, he just sort of scheduled me so I only had to do it two nights.

But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.

In feature films the director is God; in documentary films God is the director.

Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied.

You have to write a good score that you feel good about. At least, you're supposed to. But, if the director hates it, it ain't going to be in the movie!

There are so many effects and so many things that are done digitally now that it's so hard for the director to really control the process, because there are more and more experts that come in.

I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.

I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.